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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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Hot, HotHot!!! What's New in Tube Microphones

Jul 1, 2001, by Randy Alberts

For pro and project studios alike, no instrument is quite so vital as the microphone. From Nashville to Tokyo, London to New York, money is always well...

Handheld Vocal Microphones

May 1, 2001, By Randy Alberts

Studio users spend years searching for the ultimate vintage mic, but the situation is reversed with live sound. Mics for onstage performance keep getting...

Surround Sound Consoles

May 1, 2001, MICHAEL COOPER

A look at some recent products and at some time-proven consoles, designed for surround sound production, in both music and sound for picture applications....

Sound Effects Libraries

Apr 1, 2001, GARY ESKOW

Sound effects creation has changed dramatically over the years. So has the way in which effects are packaged and sold. Fragile tapes and LPs that degenerated...

Multichannel POWER Amplifiers

Mar 1, 2001, Michael Cooper

The recent release of the first DVD-A titles from Warner Music Group has spurred renewed interest in multichannel amplifiers for surround sound applications....

Line Arrays

Mar 1, 2001, Chris Michie

FOR THE PAST TWO DECADES, most large-scale sound systems have been configured as multicabinet typically made up of components either purchased from a...

Outboard Gear: Who Uses What, and Why?

Sep 1, 2000, ROBERT HANSON AND CHRIS MICHIE

OUR PANEL OF EXPERTS NAME THEIR FAVORITE OUTBOARD PROCESSORS Every month, Mix devotes a large portion of its editorial pages to new product announcements...

Top-of-the-Line Mic Preamps

Apr 1, 2000, Roger Maycock

Mic preamps are unquestionably one of the recording studio's "essential ingredients" for capturing the best sounding signal. Whether you're looking to...

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