New Studio Microphones In 2004Mar 1, 2005, By Roger Maycock When your business is recording, the phrase You can never have too many mics has always been true. Every style and model of mic has a distinctive sonic... The Beat Goes VirtualFeb 1, 2005, By Roger Maycock It's a given that the transition from dedicated hardware samplers and synthesizers to virtual software-driven instruments brings more of your music production... Line ArraysJan 1, 2005, By Roger Maycock In recent years, line array systems have garnered considerable attention as a means of addressing sound reinforcement requirements for medium- to large-size... Dedicated Speaker ProcessorsJan 1, 2005, By Strother Bullins Improving the sound of your live rig has never been easier. Today's digital signal processing systems for loudspeaker control offer recallable input/output... Strictly SummingDec 1, 2004, By Barry Rudolph After amplification, summing and mixing are two of the oldest and most basic audio processes going back to the early radio broadcast days when the announcer's... Ribbon RenaissanceSep 1, 2004, By Sarah Jones Everything old is new again. When ribbon mics emerged in the 1930s, their sound, directional characteristics and noise-reduction capabilities offered... Console Shopping?Aug 1, 2004, By Strother Bullins In the world of marketing, high-end pro equipment and budget recording gear have one thing in common: They both use a relatively simple sales pitch. On... Remote Microphone PreampsJul 1, 2004, By Strother Bullins Among the multitude of cringe-worthy phrases heard by those working in pro audio is the venerable war-horse, Make it sound good. We've all heard someone... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound