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Technology Spotlight: Dolby DP600 Program Optimizer

Oct 1, 2006, By George Petersen

The DP600 Program Optimizer from Dolby (www.dolby.com) is the world's first intelligent file-based audio loudness analysis and correction system. The...

Technology Spotlight: Solid State Logic Duality

Oct 1, 2006, By George Petersen

Traditionally associated with high-end consoles, Solid State Logic (www.solid-state-logic.com; AES Booth #610) began offering more affordable products...

Technology Spotlight: Fairlight Dream II

Oct 1, 2006, By George Petersen

In describing an ideal audio workstation, users want maximum power and speed from a system that's forward- and backward-compatible, versatile, expandable...

Technology Spotlight: Audiokinetic Wwise

Oct 1, 2006, By Michel Henein

Those of us who create sound for videogames long for tools that make more efficient use of our time and resources. Videogames have been in existence for...

Tools of the Trade

Sep 1, 2006

AMS-NEVE8801/8802 PRODUCER PACK Based on the channel strip design of AMS-Neve's 88RS (www.ams-neve.com), the single-rackspace 8801 ($2,295) and 8802 ($2,200)...

Hard Disk Drives

Aug 1, 2006, By George Petersen

When media theorist Marshall McLuhan published his landmark The Medium is the Message in 1967, he wasn't talking about recording media, but perhaps he...

Field Test: Universal Audio Solo 610/110 Mic Pre/DI

Aug 1, 2006, By Kevin Becka

Since 1999, Universal Audio has been steadily building up a stable of quality hardware products, first starting with the LA-2A and 1176 legacy compressors...

Tools of the Trade

Aug 1, 2006

EDIROL R-4 PRO RECORDER The highly skilled big brother to the portable R-4 handheld recorder, Edirol's R-4 Pro (www.edirol.com, $1,595) provides the ability...

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GC Pro brings you this webcast hosted by veteran acoustic consultant Bob Hodas, who has tuned thousands of studios around the world, from Abbey Road to the Record Plant to Lucasfilm. Learn more...

Nashville Stories

Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.