Apple Logic Pro 9 Review

Oct 1, 2009 12:00 PM, By Robert Hanson

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Control-clicking on the Transport pane reveals Varispeed, another addition to Logic. Varispeed lets you alter both the tempo and pitch of an entire project. There are three versions of Varispeed: speed only — this alters the tempo of the entire project while keeping the pitch locked to the original key; Varispeed, which changes both pitch and tempo; and Varispeed and MIDI for adjusting both pitch and tempo while leaving MIDI drum tracks alone. Overall, Varispeed performed as advertised within realistic limits — it's very liberating to be able to preview a project at a different tempo or kick it up or down a few steps. Be warned, though: Varispeed does pull some CPU cycles and it doesn't work as fluidly as just sliding the normal session tempo up and down. I found it much less taxing on the system (and my ears) to stop playback, enter a new Varispeed bpm and resume playback.

Going to “11”

The next major Logic additions are Amp Designer and Pedalboard. Amp Designer works similarly to many of the guitar amp-emulation products currently on the market. It includes a wide selection of amp and cabinet emulations, including several options in the spirit of Fender, Marshall, Mesa, Orange and others. Each of the models sport the Logic name, and the gain, EQ and effect controls are unified across all of the models, but the graphic treatments should be enough to clue in most users. Amp Designer gives you free rein to mix and match cabinets and amps at will. There are three mic options (dynamic, condenser and ribbon) and there are controls for moving the mic on- and off-axis, as well as closer or further from the cabinet; imagine a 4x6-inch square of virtual wiggle room.

Pedalboard offers up to 30 stompbox emulations and a fairly slick interface where you can drag/drop effects from the virtual locker and arrange and re-order them on the pedal board, with capabilities for creating and blending between parallel processing chains. The stompbox offerings lean heavily toward distortion and fuzz, but chorus, phaser, tremolo, ring modulation, echo, delay, wah, reverb and compression are covered in one form or another; all of the time-based effects sync to host. It's worth noting that Pedalboard is a closed system, meaning that you can't pull in other Logic or third-party effects. For instance, if you want to drop in a higher-end compressor (one of the weaker effect offerings in Pedalboard) at a certain point in the chain, you'll have to open up a second instance of Pedalboard under the compressor to continue the chain.

You'd be hard-pressed to find any discernable difference in tone and quality between the new offerings in Logic and any of the major guitar workstations like Native Instruments' GuitarRig or IK Multimedia's Amplitude. Both of those third-party products do offer more in terms of stompbox effects, bass amps and routing options, and if you're already heavily invested in those products, this probably won't change your mind. But for new users and non-guitarists, Amp Designer and Pedalboard are fantastic additions to an already massive feature set.

Off the Grid

The Take Folder Editing feature was revised to make use of the new Flex Tool and to improve region editing. Now you can toggle Quick Swipe Editing on and off, make edits to any of the regions (cut, replace, Flex Time, etc.) and then re-engage Quick Swipe for comping. A new Track Import feature lets you open up any Logic project on your system from the Media tab, expand the contents and import all or some of the components of a track, including regions, insert effects and sends. Should you choose to import audio regions from another session at a different tempo, selecting the appropriate Flex Mode setting for the track forces all the associated regions to conform to the current host tempo. The included impulse library for the Space Designer reverb is enhanced with a set of “warped effects,” such as models of moving spaces, textures, speakers, analog circuits and more.

The Logic Node application now supports third-party plug-ins. You can network your desktop and laptop via Ethernet and gain some extra DSP processing for your entire plug-in collection. This might cause many to take a second look at the lowly Mac mini as a way to squeeze in a few more high-end, CPU-killing plugs.

Is It a Must-Have?

As a longtime Logic user, this is clearly one of the best dollars-to-features updates in a long time. Honestly, I was a tad underwhelmed with what Logic 8 offered vs. its predecessor, but, thankfully, almost all of the major feature requests the Logic community had begged for are addressed with Logic 9. The Flex Time and Varispeed functions deliver the same features as some much more expensive applications. The new guitar-processing tools provide all you need to lay down some very convincing guitar tracks. The huge quantity of loops, samples and music beds offer a great starting point for new compositions, as well as a ton of free licensed content that film and post users can hit at will. Furthermore, Logic 9's numerous under-the-hood enhancements make it snappier and less bogged-down by its own weight than Logic 8. And with the release of OS 10.6, we're bound to see even better performance moving forward.

Robert Hanson is a former editor at Mix and Remix. These days, he works for the Internet.






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