Royer Labs R-121: RIBBON-VELOCITY STUDIO MICROPHONEApr 1, 1999, Barry Rudolph Ribbon mics, by nature, exhibit a warm and friendly tone with a natural figure-8 pattern that's useful in a variety of studio applications. However, ribbon... Spirit 328: DIGITAL 8-BUS MIXING CONSOLEApr 1, 1999, George Petersen There are more than a dozen entries in the "low cost" (i.e., less than $10,000) category of digital consoles, but in terms of pricing, performance and... JBL LSR 28P and LSR 12P: POWERED 5.1 MONITORING SYSTEMMar 1, 1999, George Petersen Look back 20 years and you'll find that one name ruled supreme in the field of studio monitors: The JBL 4311 was king, and every studio had a pair. In... Martinsound MultiMAX: MULTIFORMAT MONITOR CONTROLLERMar 1, 1999, John Jaszcz Without the facility to monitor six or more channels clearly and transparently with one gain control, mixing for surround sound on your favorite console... Purple Audio MC76: MONO PEAK LIMITING AMPLIFIERMar 1, 1999, David Ogilvy The popularity of vintage audio gear has driven up prices and made desirable models hard to find. Some manufacturers are already emulating older equipment... Snapshot Product ReviewsFeb 1, 1999, George Petersen NEUTRIK MR1 MINIRATOR Pocket Audio Generator I'm always impressed when I find simple, low-cost tools that make my life easier: The Neutrik MR1 Minirator... Shure KSM32: CARDIOID CONDENSER MICROPHONEFeb 1, 1999, Scott Colburn The folks at Shure really know how to package a microphone to make one drool with anticipation. This mic looks good! Fortunately, the sleek look mirrors... Roland VS-1680 Workstation: ROAD-TESTED TIPSFeb 1, 1999, Rob Shrock The Roland VS-1680 is capable of making fully professional recordings at a level rivaling systems many times more expensive. In fact, I produced and mixed...
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