Royer Labs R-121: RIBBON-VELOCITY STUDIO MICROPHONEApr 1, 1999, Barry Rudolph Ribbon mics, by nature, exhibit a warm and friendly tone with a natural figure-8 pattern that's useful in a variety of studio applications. However, ribbon... Spirit 328: DIGITAL 8-BUS MIXING CONSOLEApr 1, 1999, George Petersen There are more than a dozen entries in the "low cost" (i.e., less than $10,000) category of digital consoles, but in terms of pricing, performance and... JBL LSR 28P and LSR 12P: POWERED 5.1 MONITORING SYSTEMMar 1, 1999, George Petersen Look back 20 years and you'll find that one name ruled supreme in the field of studio monitors: The JBL 4311 was king, and every studio had a pair. In... Martinsound MultiMAX: MULTIFORMAT MONITOR CONTROLLERMar 1, 1999, John Jaszcz Without the facility to monitor six or more channels clearly and transparently with one gain control, mixing for surround sound on your favorite console... Purple Audio MC76: MONO PEAK LIMITING AMPLIFIERMar 1, 1999, David Ogilvy The popularity of vintage audio gear has driven up prices and made desirable models hard to find. Some manufacturers are already emulating older equipment... PMC IB1S: MIDFIELD STUDIO MONITORSFeb 1, 1999, Hunter Pipes The Professional Monitor Company's PMC IB1S midfield studio monitors provide one of the most sensational listening experiences I have enjoyed. I found... Lab Analysis: PMC IB1S MonitorFeb 1, 1999, John Schaffer and Rob Baum The PMC IB1S is a three-way system. The 1-inch Vifa soft-dome HF tweeter is driven by a 1-inch-diameter voice coil and is mounted to a 4-inch-diameter,... QSC Audio PLX Series: POWER AMPLIFIERSFeb 1, 1999, Mark Frink QSC Audio's second generation of lightweight amplifiers, the PLX Series, was introduced at the 1998 NSCA show in Las Vegas. With a two-rackspace form...
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