Apr 1, 2008,
By Barry Rudolph
Sony's new handheld PCM-D50 recorder reprises most of the features and performance of the company's much-higher-priced PCM-D1 in a smaller-sized unit...
Apr 1, 2008,
By Gary Eskow
Following the model that was established two decades ago, most soft-sample libraries are released in one or more of the day's popular formats. EastWest,...
Apr 1, 2008,
By Jim Aikin
From its inception, Ableton Live has been a favorite of dance music producers and DJs because of its ability to seamlessly sync up sampled loops. Building...
Apr 1, 2008,
By Joe Hannigan
From Phil Jones designer of the Acoustic Energy AE-1, Boston Acoustic's Lynnfield 300 and 500 monitors, and the AAD 2001 comes a new challenger in the...
Apr 1, 2008
APHEX HEADPOD 454 High-Output Personal Headphone Amp The HeadPod 454 from Aphex is a 1-input/4-output headphone amp. Priced at $249, it works in many...
Mar 1, 2008,
By Steve La Cerra
Since releasing the PM1D digital console eight years ago, Yamaha's design engineers have become quite skilled at migrating advanced digital mixing technology...
Mar 1, 2008,
By Kevin Becka
Since the DAW became an audio standard, the idea of a purely digital signal path from mic capsule to storage medium has interested more than a few engineers....
Mar 1, 2008,
By Bobby Frasier
KRK, the brainchild of engineer Keith Klawitter, has been building studio monitors since 1986. The company's flagship product, the Expos, has undergone...
AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound