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Sony Acid Pro Version 7 DAW Review

	
Nov  1, 2009, 
	By David Weiss
	
	

	
	
Acid Pro has long served as validation for music producers who work on the PC platform, or at least have a PC integrated somewhere into their studio setup....

	





	
Roland Systems Group M-48 Personal Mixer Review

	
Nov  1, 2009, 
	By Kevin Becka
	
	

	
	
Whether in studio or live settings, providing performers with control of their monitor mixes increases productivity while positively affecting the musical...

	





	
AEA RPQ Ribbon Mic Preamp Review

	
Nov  1, 2009, 
	By Barry Rudolph
	
	

	
	
Audio Engineering Associates, purveyor of both single- and double-ribbon passive and active microphones, offers the RPQ a preamplifier designed specifically...

	





	
Apple Logic Pro 9 Review

	
Oct  1, 2009, 
	By Robert Hanson
	
	

	
	
The evolution of Apple's professional media applications continues with the new Logic Studio. This upgrade brings the audio editing features to parity...

	





	
Upstate Audio Sonic Lens SL20/20-2 Review

	
Oct  1, 2009, 
	By Kevin Becka
	
	

	
	
The Sonic Lens SL20/20-2 mic preamp is the flagship product of Matthew Lesko's company, UpState Audio. Lesko's goal of creating an audiophile's dream...

	





	
KRK Systems ERGO Review

	
Oct  1, 2009, 
	By Barry Rudolph
	
	

	
	
KRK's Enhanced Room Geometry Optimization (ERGO) is a stand-alone room acoustic correction system built into a hardware monitor controller unit. Its proprietary...

	





	
JBL LSR2328P Studio Monitors Review

	
Sep  1, 2009, 
	By Bobby Frasier
	
	

	
	
There is no doubt that everybody reading this magazine has heard a JBL speaker either live, in the studio or at home at one time or another. JBL was the...

	





	
Teaboy Audio Studio Recall Software Review

	
Sep  1, 2009, 
	By Kevin Becka
	
	

	
	
Session documentation and recall are crucial in any competitive audio production environment; this is true now more than ever thanks to the decentralized...

	






            
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