Sony Acid Pro Version 7 DAW Review

Nov 1, 2009, By David Weiss

Acid Pro has long served as validation for music producers who work on the PC platform, or at least have a PC integrated somewhere into their studio setup....

Roland Systems Group M-48 Personal Mixer Review

Nov 1, 2009, By Kevin Becka

Whether in studio or live settings, providing performers with control of their monitor mixes increases productivity while positively affecting the musical...

AEA RPQ Ribbon Mic Preamp Review

Nov 1, 2009, By Barry Rudolph

Audio Engineering Associates, purveyor of both single- and double-ribbon passive and active microphones, offers the RPQ a preamplifier designed specifically...

Apple Logic Pro 9 Review

Oct 1, 2009, By Robert Hanson

The evolution of Apple's professional media applications continues with the new Logic Studio. This upgrade brings the audio editing features to parity...

Upstate Audio Sonic Lens SL20/20-2 Review

Oct 1, 2009, By Kevin Becka

The Sonic Lens SL20/20-2 mic preamp is the flagship product of Matthew Lesko's company, UpState Audio. Lesko's goal of creating an audiophile's dream...

KRK Systems ERGO Review

Oct 1, 2009, By Barry Rudolph

KRK's Enhanced Room Geometry Optimization (ERGO) is a stand-alone room acoustic correction system built into a hardware monitor controller unit. Its proprietary...

JBL LSR2328P Studio Monitors Review

Sep 1, 2009, By Bobby Frasier

There is no doubt that everybody reading this magazine has heard a JBL speaker either live, in the studio or at home at one time or another. JBL was the...

Teaboy Audio Studio Recall Software Review

Sep 1, 2009, By Kevin Becka

Session documentation and recall are crucial in any competitive audio production environment; this is true now more than ever thanks to the decentralized...

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