Field Test: Lynx Studio Technology Aurora 16Jun 1, 2006, By K.K. Proffitt Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known... CorrectionJun 1, 2006 In last month's DPA 4091 Field Test, Fred Aldous used the Holophone to capture Super Bowl XXXIX and not NASCAR. Mix regrets the error.... Field Test: TC-Helicon VoicePro Voice ProcessorJun 1, 2006, By Michael Cooper The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately... Field Test: Royer R-122V Tube Ribbon MicJun 1, 2006, By Kevin Becka At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon... Field Test: Buzz Audio MA 2.2 TX Class-A Mic PreJun 1, 2006, By Michael Cooper Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end... Field Test: Digidesign Pro Tools HD 7 SoftwareMay 1, 2006, By Barry Rudolph Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter... Field Test: Focusrite Saffire FireWire Audio InterfaceMay 1, 2006, By Jason Scott Alexander Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side... Field Test: BIAS Peak Pro XT 5 BundleMay 1, 2006, By Jason Scott Alexander BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new...
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