Field Test: AEA TRP Ribbon Mic PreampApr 1, 2007, By Joe Hannigan With the popularity of ribbon microphones in today's recording world, it's surprising that few manufacturers have stepped up to the plate with a ribbon-specific... Field Test: Trinnov SRP Surround Recording PlatformMar 1, 2007, By Kevin Becka Ever try to explain a completely new idea? Like a car that's also a tanning booth and a washing machine? Although not as crazy, that's my dilemma in explaining... Field Test: PreSonus DigiMax FSMar 1, 2007, By Jason Scott Alexander It's been six years since PreSonus launched its popular DigiMax line, and nearly four years since the DigiMax last received a facelift in the DigiMax... Field Test: Blue Sky SAT 12, Sub 15 2.1 Monitoring SystemMar 1, 2007, By Joe Hannigan You don't often associate the word with audio systems, but it's an appropriate term for Blue Sky's latest: a 2,000-watt, 300-plus-pound 2.1 midfield monitor... Field Test: SPL Passeq Passive EqualizerMar 1, 2007, By Michael Cooper Passive EQs are generally known for their natural and transparent sound. When SPL's design engineers set out to create the Passeq, one of their goals... Field Test: Schoeps CMIT 5 U Shotgun MicrophoneFeb 1, 2007, By George Petersen For nearly 60 years, Schoeps has been a leader in small-diaphragm microphone design, offering a dazzling array of mics and capsules to fit nearly any... Snapshot Product ReviewsJan 1, 2007 AVANT ELECTRONICS MIXCUBES Mini Reference Monitors During the '70s, '80s and into the 1990s, Auratone 5C Sound Cubes were pretty much required in every... Field Test: Waves Tune Pitch-Correction Plug-InJan 1, 2007, By Barry Rudolph One of five plug-in processors in the new Waves Vocal Bundle (which also includes DeBreath, Renaissance DeEsser, Renaissance Channel Strip and Waves Doubler),...
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