Field Test: MOTU Traveler FireWire I/O With PreampsJan 1, 2006, By Steve La Cerra These days, laptop computers provide as much if not more horsepower as your desktop behemoth. As a result, the availability of audio interfaces for mobile... Field Test: RTZ 9762 Dual-Combo Mic PreampJan 1, 2006, By Barry Rudolph The 2-channel RTZ 9762 is a single-rackspace remake of the Class-A Neve 1272 microphone preamp. The 9762 adds to the original's operation and sonics with... Field Test: Phonic PAA3 Portable Audio AnalyzerJan 1, 2006, By Steve La Cerra At some point, every engineer needs to measure audio. Audio test instruments have traditionally been cumbersome and expensive, but progressing technology... Field Test: Focal SM8 Powered MonitorsJan 1, 2006, By Joe Hannigan Having seen them at several industry shows, I've admired the Focal SM Series' look and sound for a while now and looked forward to giving them a serious... Field Test: Submersible Music DrumCore Loop LibraryJan 1, 2006, By Jim Aikin That next big thing rock vocalist is due in your studio in an hour to record a demo, but the drummer didn't show up to lay down the backing tracks. Do... Field Test: Heil Sound PR 40 MicrophoneDec 1, 2005, By Barry Rudolph Although Heil Sound has decades of experience in the live sound and custom home theater industries, and is highly regarded for its quality microphones... Field Test: M&K MPS-1611P Powered MonitorDec 1, 2005, By Michael Cooper I've heard many two-way monitors during the years that delivered on the promise of deep bass extension; however, all but a few did so at the expense of... Field Test: db audioware Quantum FX Version 2Dec 1, 2005, By Jim Aikin Creative effects processing is the lifeblood of pop music mixes. Doubtless your DAW provides basic tools for sonic mangling, but what if you need more?...
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