Field Test: Steinberg Cubase 4 DAWJan 1, 2007, By Jim Aikin Cubase has been a studio mainstay for close to 20 years now. Although it may not be the front-running application on either the Mac or the PC, Steinberg's... Field Test: API A2D Dual Microphone PreampJan 1, 2007, By Bobby G. Frasier The A2D dual mic preamp from API is the company's first foray into the digital realm, melding tried-and-true analog technology with two channels of A/D... Field Test: Ableton Live 6 Performance-Oriented DAWJan 1, 2007, By Jim Aikin It's not boring, but it's become quite predictable: Every new version of Ableton Live boosts the feature list to a new level. That was true when I reviewed... Field Test: Hear Technologies Mix Back SystemJan 1, 2007, By Steve La Cerra Having trickled down from the rich and famous to the working musician, the continued popularity of in-ear monitors has created a need for high-quality,... Field Test: IK Multimedia Ampeg SVX Bass Amp Plug-InJan 1, 2007, By Barry Rudolph IK Multimedia's Ampeg SVX Bass Amp is a complete virtual bass guitar rig posing as a plug-in. SVX uses the company's DSM technology to model Ampeg bass... Field Test: Muse Research Receptor VST Plug-In PlayerJan 1, 2007, By Robert Brock In the genus of digital audio effects and instruments, there are two species: dedicated hardware devices and computer-based software tools. It's hard... Field Test: Rupert Neve Portico 5032 Mic Pre/EQDec 1, 2006, By Barry Rudolph One of the four half-rackspace modules offered in Rupert Neve's expanding Portico Series is the 5032 Mic Pre/EQ. Like all of the Portico gear, the 5032... Field Test: TC Electronic VSS3 Stereo Source ReverbDec 1, 2006, By K.K. Proffitt Although my TC Electronic System 6000 remains one of my favorite audio toys, it's sometimes maxed out in a film mix. Other times, I want to get sounds...
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