Field Test: KRK V8 Series II Active Near-Field MonitorsAug 1, 2005, By Tony Nunes For some audio engineers, choosing the right monitor can be a never-ending quest. To most, it's all about accuracy, flat response and translation at the... Field Test: Tascam DV-RA1000 CD/DVD RecorderAug 1, 2005, By Erik Zobler If Les Paul is considered the father of multitrack recording, then Tascam should be considered the pioneer of home studio recording. The company started... Field Test: Native Instruments Kontakt 2 SamplerAug 1, 2005, By John McJunkin In the sampling world, cross-compatibility with file formats and a friendly user interface are king. But if you want to hang with the big dogs, you've... Field Test: Primera BravoPro CD/DVD Duplicator/PrinterJul 1, 2005, By Rick Spence In the duper wars, speed and the set-and-forget factor rule. No one wants to baby-sit a robot as it churns through a burn run of 100 discs, especially... Field Test: Eventide Anthology Plug-In BundleJul 1, 2005, By Barry Rudolph To celebrate the creation of more than three decades of digital effects, Eventide has released Anthology, a gigantic software bundle with every plug-in... Field Test: Sony Acid Pro 5 Loop Editing SoftwareJul 1, 2005, By David Weiss Loop-based music production and Acid software have gone hand-in-hand since 1998, when Sonic Foundry first introduced the program. Since then, the range... Field Test: USB Ultra Focus Virtual InstrumentJul 1, 2005, By Michael Cooper Purists believe that virtual instruments that emulate classic synthesizers never sound quite as good as the real thing. The engineers at Ultimate Sound... Field Test: Quested S7 Powered Reference MonitorJul 1, 2005, By Michael Cooper British manufacturer Quested is no stranger to high-end studios. The company's reference monitors have been installed in such iconic music production...
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