Field Test: Sony Acid Pro 5 Loop Editing SoftwareJul 1, 2005, By David Weiss Loop-based music production and Acid software have gone hand-in-hand since 1998, when Sonic Foundry first introduced the program. Since then, the range... Field Test: USB Ultra Focus Virtual InstrumentJul 1, 2005, By Michael Cooper Purists believe that virtual instruments that emulate classic synthesizers never sound quite as good as the real thing. The engineers at Ultimate Sound... Field Test: BLUE Microphones Robbie the Mic PreampJun 1, 2005, By Barry Rudolph Looking like a prop out of the 1956 sci-fi movie Forbidden Planet, Robbie the Mic Preamp is BLUE Microphones' first outboard recording product. Robbie... Field Test: TC Electronic M6000 Mastering ProcessorJun 1, 2005, By Bobby Frasier In this brave new world in which plug-in processors have quickly come to the forefront, the TC Electronic System 6000 hardware unit has maintained its... Field Test: Lexicon Omega Portable Recording SystemJun 1, 2005, By David Weiss Lexicon seems like an unlikely candidate to throw its hat into the large ring of relatively inexpensive, computer-centric recording systems currently... Field Test: New Audio Spatial One Studio MonitorsJun 1, 2005, By Michael Cooper One of the first things I learned as a neophyte engineer back in the early '80s was that near-field monitors should always be placed so that their tweeters... Field Test: Eventide H8000 Multichannel Effects SystemJun 1, 2005, By Michael Cooper Eventide's new flagship multi-effects processor, the H8000, resembles its Orville processor on steroids, employing more powerful DSPs that also run at... Field Test: MXL V6 Condenser MicrophoneJun 1, 2005, By Joe Hannigan In today's microphone market, it's a nice surprise to see a new approach to a traditional concept. MXL's parent company, Marshall Electronics, has introduced...
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