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THE BOTTOM LINE

Aug 1, 2006, By George Petersen

This review actually began late last year, when Mix evaluated the Rimage 360i DVD/CD duplicator, which yielded inconsistent performance. (See sidebar.)...

Field Test: Algorithmix reNOVAtor Spectral Editor

Jul 1, 2006, By Joe Hannigan

ReNOVAtor is one of five programs in a suite of serious audio restoration/mastering tools from Algorithmix. (The others are ScratchFree, NoiseFree, LinearPhase...

Field Test: Eventide H7600 Ultra-Harmonizer Processor

Jul 1, 2006, By Barry Rudolph

Eventide, one of the founding companies of digital audio effects for professionals, has introduced the 24-bit/96kHz H7600 Ultra-Harmonizer effects processor....

Field Test: Sony PCM-D1 Handheld Recorder

Jul 1, 2006, By Rick Spence

Sony's strong background in broadcast is showing in a handsome field recorder that will please ENG pros and recording folks alike. The Sony PCM-D1 portable...

Field Test: Waves MaxxBCL Signal Processor

Jul 1, 2006, By Kevin Becka

Although Waves is mainly considered to be a software company, it has occasionally released hardware that has been well-received in the industry, such...

Field Test: IK Multimedia Classik Studio Reverb

Jul 1, 2006, By Barry Rudolph

From Modena, Italy, comes IK Multimedia's Classik Studio Reverb, or CSR plug-in bundle. This is a solid collection of four reverbs that every music mixer,...

Field Test: Royer R-122V Tube Ribbon Mic

Jun 1, 2006, By Kevin Becka

At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon...

Field Test: Buzz Audio MA 2.2 TX Class-A Mic Pre

Jun 1, 2006, By Michael Cooper

Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end...

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