Field Test: Lipinski L-505 Passive MonitorsMay 1, 2005, By Joe Hannigan My new year got off to a great start when FedEx dropped off a pair of Lipinski L-505 speakers for evaluation, polywrapped in their own foam-padded, zippered... Field Test: Audio-Technica AT2020 Condenser MicrophoneMay 1, 2005, By Nick Batzdorf The AT2020 is Audio-Technica's entry-level, side-address studio condenser mic. It brings the company's build quality and consistency into the same street... Field Test: Sony Oxford Restoration Tools Plug-InsMay 1, 2005, By K.K. Proffitt With its Oxford EQ and Reverb, Sony Oxford has established a reputation for excellence in plug-in design in a very short amount of time. So it's no surprise... Field Test: GML Model 2032 Preamp/EQMay 1, 2005, By Kevin Becka Some two centuries ago, German author and philosopher Goethe said, Excellence is rarely found, more rarely valued. It's clear that his quote needs an... Field Test: Nautilus Commander Analog Summing BoxMay 1, 2005, By Erik Zobler Which is better? Mixing inside or outside the box? If you haven't had this discussion, then either you have your head in the mix, don't get out much or... 360 Systems DigiCartApr 1, 2005, By Rom Rosenblum The heir to the cart machine, 360 Systems' (www.360systems.com) DigiCart, is ubiquitous in the world of live radio and TV broadcasting and it's one of... Field Test: Apogee Rosetta 200 Stereo ConverterApr 1, 2005, By Barry Rudolph The Rosetta 200 ($1,995), Apogee's successor to the PSX-100 and Rosetta's AD namesake, is an investment-grade quality piece of studio equipment that will... Field Test: Tascam GigaStudio 3 SamplerApr 1, 2005, By Nick Batzdorf When it came out a few years ago, Tascam's GigaStudio (originally called GigaSampler) revolutionized sampling and, arguably, commercial composition by...
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