Field Test: Apogee Rosetta 200 Stereo ConverterApr 1, 2005, By Barry Rudolph The Rosetta 200 ($1,995), Apogee's successor to the PSX-100 and Rosetta's AD namesake, is an investment-grade quality piece of studio equipment that will... Field Test: Tascam GigaStudio 3 SamplerApr 1, 2005, By Nick Batzdorf When it came out a few years ago, Tascam's GigaStudio (originally called GigaSampler) revolutionized sampling and, arguably, commercial composition by... DeadwoodApr 1, 2005, By Matt Hurwitz The first thing that comes to mind for fans of HBO's critically acclaimed series Deadwood is probably not the score. More likely, it's the nasty Al Swearengen... Snapshot Product ReviewsApr 1, 2005 JOSEPHSON E22SCardioid Studio CondenserMicrophone David Josephson is the best mic builder you've never heard of. Here's a guy who has created capsules... Field Test: Tascam US-2400 ControllerMar 1, 2005, By Nick Batzdorf Using a console is almost like playing an instrument, and it takes a healthy number of faders to bring that feeling to a DAW. Tascam equipped its flagship... Field Test: Manifold Labs Plugzilla Plug-In PlayerMar 1, 2005, By Michael Cooper Manifold Labs' Plugzilla offers a compact solution for engineers taking plug-ins on the road for live performances or for DAW operators who need more... Field Test: SPL GainStation 1 Mic PreampMar 1, 2005, By Michael Cooper To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other... Field Test: Universal Audio LA-610 Channel StripMar 1, 2005, By Michael Cooper If I were to list my five favorite analog processors of all time, the Universal Audio LA-2A leveling amplifier and 2-610 tube preamp would easily make...
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