Snapshot Product ReviewsMar 1, 2006 E-MU PM5 PRECISION MONITORS Powered Near-Field Speakers After decades of creating high-end sampling, synthesis and pro recording gear, E-mu Systems unveiled... Field Test: Benchmark Media ADC1 A/D ConverterMar 1, 2006, By Barry Rudolph We've been waiting more than two years for Benchmark to release its half-rack companion to the DAC1 2-channel digital-to-analog reference converter, but... Sony Sound Forge Digital Audio WorkstationMar 1, 2006, By Michel Henein Throughout years of working on films, television and videogames, I have used a variety of audio software and have to come to rely on one often-overlooked... Field Test: Soundelux E47C Cardioid Condenser MicMar 1, 2006, By Barry Rudolph Large-diaphragm condenser microphones such as the Telefunken ELAM 251, AKG C-12 and Neumann U47 are practically legendary: They captured many of the quintessential... Field Test: Josephson C617SET Condenser MicrophoneMar 1, 2006, By Kevin Becka Founded by David Josephson in 1989, Josephson Engineering is a boutique mic shop. Unfortunately, most engineers have never used Josephson mics or perhaps... Field Test: EastWest Quantum Leap Symphonic ChoirsMar 1, 2006, By Robert Brock The EastWest Quantum Leap Symphonic Choirs (EWQLSC) virtual instrument will change any preconceived ideas you may have about what sampled choirs can do.... Steinberg Hypersonic 2 Multitimbral SynthMar 1, 2006, By Jim Aikin Multitimbral synthesizers were once fixtures in nearly every project studio. But in the new world of software synths, they're few and far between. Most... Field Test: Image-Line Sytrus 2 Soft SynthFeb 1, 2006, By Jim Aikin FM synthesis is such a versatile way to provide a wide timbral palette that many analog-style synths hardware and software offer a little FM (frequency...
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