Field Test: Dangerous Music MasterDec 1, 2007, By Andrew Mendelson Dangerous Music changed the very concept of mixing in the box by introducing the Dangerous 2-Bus, the first stand-alone, line-level summing mixer. Dangerous... Field Test: M-Audio NRV10 FireWire Mixer, InterfaceDec 1, 2007, By Jason Scott Alexander Not every musician has made the leap into the world of mixing in the box. Many of us still have keyboards, sound modules and outboard processors that... Field Test: Groove Tubes SuPRE Tube PreampDec 1, 2007, By Joe Hannigan From the mind of tube guru Aspen Pittman comes the Groove Tubes SuPRE ($1,999), a 2-channel stereo tube mic preamp that puts a lot of features into a... Field Test: Apple Soundtrack Pro 2 SoftwareDec 1, 2007, By George Petersen Apple's Soundtrack Pro 2 (SP2) workstation software for audio-for-video production has morphed into an entirely new program with each release. What began... Snapshot Product ReviewsNov 1, 2007 ULTRASONE EDITION 9 Studio Headphones Since 1991, Ultrasone has concentrated on building one product: headphones. The new Edition 9 headphones use the... Field Test: Klein + Hummel O 300 Studio MonitorsNov 1, 2007, By Steve La Cerra It wasn't long ago that active monitors were the exception in studios rather than the norm. Part of the popularity of self-powered speakers can be linked... Field Test: Langevin Mini Massive Stereo EQNov 1, 2007, By David Rideau When it was released in 1999, the Manley Massive Passive EQ took the high-end pro audio world by storm. The Pultec on steroids design gave engineers a... Field Test: Mackie Tracktion 3 DAW/SequencerNov 1, 2007, By Jim Aikin The original release of Mackie Tracktion was notable for its bold attempt to redesign the traditional sequencer user interface in a way that would be...
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