Field Test: Buzz Audio SOC 1.1 Stereo Optical CompressorMar 1, 2004, By Barry Rudolph Leave it to the Kiwis to come up with a more reliable and clean-sounding version of the tried-and-true opto-compressor.... Field Test: Apogee Electronics Rosetta 800Mar 1, 2004, By Michael Cooper The Rosetta 800 ($2,995), Apogee's newest 24-bit multichannel converter, offers eight channels of A/D and D/A conversion, flexible sync capabilities and Apogee's proprietary UV22HR wordlength reduction and Soft Limit dynamics processing.... Field Test: Studio Projects B Series MicsMar 1, 2004, By Nick Batzdorf During the past few years, there has been an explosion of almost unbelievably low-priced Chinese condenser mics that look like prized German beauties.... Field Test: QSC Audio SRA2422 Studio Reference AmplifierMar 1, 2004, By Steve LaCerra QSC Audio has established itself as a leading manufacturer of amplifiers for live sound reinforcement.... Field Test: Native Instruments Absynth 2 and Reaktor 4Feb 1, 2004, By John McJunkin Berlin-based Native Instruments is known for its innovative approach to software synthesis, with unique sound creation tools that appeal across the professional spectrum, from producer to sound designer to DJ.... Field Test: Digidesign Accel PCI DSP CardFeb 1, 2004, By K. K. Proffitt Digidesign's new Accel PCI DSP cards deliver nearly double the DSP power of the original Pro Tools|HD DSP cards, resulting in almost a 50-percent increase in the number of available voices across all sample rates, from 44.1 kHz to 192 kHz, as well as support for DSP-intensive plug-ins that will work only on an Accel-enhanced system.... Field Test: Millennia TD-1 Twin-Direct Recording ChannelFeb 1, 2004, By Michael Cooper The Millennia TD-1 combines an instrument/amplifier/DI input with mic and line recording paths and preamp outputs.... Field Test: Studio Electronics C2s CompressorFeb 1, 2004, By Erik Zobler Studio Electronics started rackmounting Minimoogs and retrofitting them with MIDI in 1988....
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