Field Test: Yamaha SPX2000 Multi-Effects ProcessorFeb 1, 2004, By Barry Rudolph Using the new Yamaha SPX2000 is like visiting with an old reliable friend.... Field Test: Lawson L251 Tube Condenser MicrophoneFeb 1, 2004, By Michael Cooper The Lawson L251 is a side-address, dual-diaphragm tube condenser mic that offers many extras, including an infinitely variable polar pattern, two bass-frequency contour settings and a 10dB pad.... Technology Spotlight: Mackie Onyx Console FamilyFeb 1, 2004, By George Petersen Set your time machine back to 1989, and you'll enter a different world. It's hard to believe, but just 15 years ago, everyday audio technologies and products like Pro Tools, ADATs and DA-88s simply didn't exist.... Field Test: Event Electronics ASP8 Studio Precision MonitorsJan 1, 2004, By Erik Hawkins Event Electronics made a big splash years ago when it introduced the 20/20 Series of powered, direct-field monitors, which brought the price of bi-amplified, powered monitor technology to a level practically everybody could afford.... Field Test: Oram GMS Al Schmitt Pro-ChannelJan 1, 2004, By Michael Cooper When British pro audio manufacturer Oram set out to build the GMS (Grand Master Series) Al Schmitt Pro-Channel compressor/EQ/preamps, mass-market appeal was not at the top of its list of design criteria.... Field Test: Lake Technology ContourJan 1, 2004, By Bob Hodas In 1997, representatives from Clair Brothers, along with a team of heavy-hitters in the digital world, joined forces to design the Clair iO, which ushered in the next generation of digital processors.... Field Test: Geoffrey Daking MicPreEQJan 1, 2004, By Kevin Becka In the early 1990s, when Geoffrey Daking heard that many engineers were growing increasingly dissatisfied with newer audio gear, he decided to find out why.... Field Test: Universal Audio Model 2192Jan 1, 2004, By K. K. Proffitt Universal Audio's Model 2192 Master Digital Audio Interface combines feature-rich design with impeccable audio quality....
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