Field Test: TC-Helicon VoicePro Voice ProcessorJun 1, 2006, By Michael Cooper The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately... Field Test: A-Designs Audio Pacifica Microphone PreampJun 1, 2006, BY JOE HANNIGAN For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of... Field Test: Lynx Studio Technology Aurora 16Jun 1, 2006, By K.K. Proffitt Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known... Field Test: Celemony Melodyne 3 Audio Editing SoftwareJun 1, 2006, By Jim Aikin If you need to edit audio as flexibly as you edit MIDI, you're going to love Celemony's Melodyne. It can correct the pitch of vocals with surgical accuracy,... Field Test: Focusrite Saffire FireWire Audio InterfaceMay 1, 2006, By Jason Scott Alexander Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side... Field Test: BIAS Peak Pro XT 5 BundleMay 1, 2006, By Jason Scott Alexander BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new... JazzMutant Lemur Control SurfaceMay 1, 2006, By Jim Aikin Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph... Field Test: Digidesign Pro Tools HD 7 SoftwareMay 1, 2006, By Barry Rudolph Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...
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