Field Test: Buzz Audio MA 2.2 TX Class-A Mic Pre

Jun 1, 2006, By Michael Cooper

Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end...

Field Test: TC-Helicon VoicePro Voice Processor

Jun 1, 2006, By Michael Cooper

The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately...

Field Test: A-Designs Audio Pacifica Microphone Preamp

Jun 1, 2006, BY JOE HANNIGAN

For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of...

Field Test: Lynx Studio Technology Aurora 16

Jun 1, 2006, By K.K. Proffitt

Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known...

Field Test: Focusrite Saffire FireWire Audio Interface

May 1, 2006, By Jason Scott Alexander

Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side...

Field Test: BIAS Peak Pro XT 5 Bundle

May 1, 2006, By Jason Scott Alexander

BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new...

JazzMutant Lemur Control Surface

May 1, 2006, By Jim Aikin

Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph...

Field Test: Digidesign Pro Tools HD 7 Software

May 1, 2006, By Barry Rudolph

Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...

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Education Guide

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