Steinberg Hypersonic 2 Multitimbral SynthMar 1, 2006, By Jim Aikin Multitimbral synthesizers were once fixtures in nearly every project studio. But in the new world of software synths, they're few and far between. Most... Field Test: Soundelux E47C Cardioid Condenser MicMar 1, 2006, By Barry Rudolph Large-diaphragm condenser microphones such as the Telefunken ELAM 251, AKG C-12 and Neumann U47 are practically legendary: They captured many of the quintessential... Field Test: Benchmark Media ADC1 A/D ConverterMar 1, 2006, By Barry Rudolph We've been waiting more than two years for Benchmark to release its half-rack companion to the DAC1 2-channel digital-to-analog reference converter, but... Field Test: EastWest Quantum Leap Symphonic ChoirsMar 1, 2006, By Robert Brock The EastWest Quantum Leap Symphonic Choirs (EWQLSC) virtual instrument will change any preconceived ideas you may have about what sampled choirs can do.... Field Test: Josephson C617SET Condenser MicrophoneMar 1, 2006, By Kevin Becka Founded by David Josephson in 1989, Josephson Engineering is a boutique mic shop. Unfortunately, most engineers have never used Josephson mics or perhaps... Snapshot Product ReviewsMar 1, 2006 E-MU PM5 PRECISION MONITORS Powered Near-Field Speakers After decades of creating high-end sampling, synthesis and pro recording gear, E-mu Systems unveiled... Field Test: Waves Q-Clone Convolution EqualizerFeb 1, 2006, By Jason Scott Alexander For the DAW-based among us, Waves' Q-Clone is a brilliant new approach to plug-in EQ, allowing you to slap the sound of your favorite hardware EQ onto... Field Test: Tannoy Precision 8D Studio MonitorsFeb 1, 2006, By Bobby Frasier The new Tannoy Precision line of studio monitors offers two passive and two active products. All four units are three-way and use the signature Tannoy...
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