Field Test: Groove Tubes Glory Comp

Dec 1, 2005, By Kevin Becka

In 2001, Groove Tubes established a beachhead in the high-end market with its ViPRE mic preamp, an all-tube unit with specialized features such as variable...

Field Test: Heil Sound PR 40 Microphone

Dec 1, 2005, By Barry Rudolph

Although Heil Sound has decades of experience in the live sound and custom home theater industries, and is highly regarded for its quality microphones...

Spectrasonics Stylus RMX

Dec 1, 2005, By Gabe Shadid

The Stylus RMX real-time groove module combines maximum flexibility with an emphasis on sound quality when working with looped-based audio. Note, I didn't...

Field Test: Helios 1r Twin Type 69 Mic Pre/EQ

Nov 1, 2005, By Barry Rudolph

The Rolling Stones had a silver one in their mobile truck, The Beatles had two green ones at Apple Studios and 10cc had a red one at their Strawberry...

Field Test: PreSonus ADL 600 High-Voltage Tube Preamp

Nov 1, 2005, By Michael Cooper

The PreSonus ADL 600 is proof that marriage is a beautiful thing. The dual-channel, all-tube preamp was designed by Anthony DeMaria of boutique tube gear...

Field Test: Apex 460 Tube Microphone

Nov 1, 2005, By Kevin Becka

In a sea of inexpensive mics, there is a new contender for your dollars: the Apex 460. Squarely aimed at the engineer on a tight budget, it offers features...

Propellerhead Reason 3

Nov 1, 2005, By Laura Pallanck

Although it's now at Version 3, Propellerhead's Reason is as easy to use as ever. However, there are a number of cool things you can do with it that go...

Field Test: InnerTUBE Audio Dual Atomic Squeeze Box

Nov 1, 2005, By Michael Cooper

We've all been here before: You slam a snare drum track with a compressor to put a point on it and then suffer the tedium of gating the resulting pumping...

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