Field Test: Apple Soundtrack Pro Audio Editor/Recorder

Sep 1, 2005, By George Petersen

When Apple first unveiled Soundtrack a few years ago, I was impressed by its ability to handle loops and audio clips to quickly create music scores for...

Field Test: Waves L3 Multiband Peak Limiter, Maximizer

Sep 1, 2005, By Michael Cooper

Few plug-ins have garnered as widespread use as Waves' L1 and L2. The Waves L3 takes those plug-ins to the next performance level. The 24-bit L3 comprises...

Field Test: ADAM P33A Studio Monitors

Sep 1, 2005, By Joe Hannigan

The ADAM P33A speakers are a downsized version of the company's popular S3A speaker and are aimed at near/mid-field monitoring applications, where powerful...

Field Test: Universal Audio 8110 Microphone Preamp

Sep 1, 2005, By Kevin Becka

Universal Audio is generally known these days for re-releases of its legacy analog processors such as the LA-2A and 1176, along with some newer combo...

Field Test: Chandler Limited Mini Rack Mixer

Sep 1, 2005, By Barry Rudolph

Chandler Limited is known for designing new products with a vintage spin. Its latest, the Mini rack mixer, features Chandler's version of the classic...

Field Test: AEA R92 Ribbon Microphone

Aug 1, 2005, By Kevin Becka

What? Another great affordable ribbon mic to put in the locker? And you don't have to click your heels three times and make a wish to get it? The Audio...

Field Test: KRK V8 Series II Active Near-Field Monitors

Aug 1, 2005, By Tony Nunes

For some audio engineers, choosing the right monitor can be a never-ending quest. To most, it's all about accuracy, flat response and translation at the...

Field Test: MindPrint EN-VOICE MK II Tube Preamp

Aug 1, 2005, By Joe Hannigan

It seems that MindPrint has the seven-year itch. Based on the success of its EN-VOICE Class-A mic preamp, which launched in 1998, the company has now...

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