Field Test: Sony Acid Pro 5 Loop Editing Software

Jul 1, 2005, By David Weiss

Loop-based music production and Acid software have gone hand-in-hand since 1998, when Sonic Foundry first introduced the program. Since then, the range...

Field Test: TC Electronic M6000 Mastering Processor

Jun 1, 2005, By Bobby Frasier

In this brave new world in which plug-in processors have quickly come to the forefront, the TC Electronic System 6000 hardware unit has maintained its...

Field Test: MXL V6 Condenser Microphone

Jun 1, 2005, By Joe Hannigan

In today's microphone market, it's a nice surprise to see a new approach to a traditional concept. MXL's parent company, Marshall Electronics, has introduced...

Field Test: Lexicon Omega Portable Recording System

Jun 1, 2005, By David Weiss

Lexicon seems like an unlikely candidate to throw its hat into the large ring of relatively inexpensive, computer-centric recording systems currently...

Field Test: Eventide H8000 Multichannel Effects System

Jun 1, 2005, By Michael Cooper

Eventide's new flagship multi-effects processor, the H8000, resembles its Orville processor on steroids, employing more powerful DSPs that also run at...

Field Test: BLUE Microphones Robbie the Mic Preamp

Jun 1, 2005, By Barry Rudolph

Looking like a prop out of the 1956 sci-fi movie Forbidden Planet, Robbie the Mic Preamp is BLUE Microphones' first outboard recording product. Robbie...

Field Test: New Audio Spatial One Studio Monitors

Jun 1, 2005, By Michael Cooper

One of the first things I learned as a neophyte engineer back in the early '80s was that near-field monitors should always be placed so that their tweeters...

Field Test: Sony Oxford Restoration Tools Plug-Ins

May 1, 2005, By K.K. Proffitt

With its Oxford EQ and Reverb, Sony Oxford has established a reputation for excellence in plug-in design in a very short amount of time. So it's no surprise...

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