Field Test: Eventide Anthology Plug-In BundleJul 1, 2005, By Barry Rudolph To celebrate the creation of more than three decades of digital effects, Eventide has released Anthology, a gigantic software bundle with every plug-in... Field Test: TC Electronic M6000 Mastering ProcessorJun 1, 2005, By Bobby Frasier In this brave new world in which plug-in processors have quickly come to the forefront, the TC Electronic System 6000 hardware unit has maintained its... Field Test: MXL V6 Condenser MicrophoneJun 1, 2005, By Joe Hannigan In today's microphone market, it's a nice surprise to see a new approach to a traditional concept. MXL's parent company, Marshall Electronics, has introduced... Field Test: Lexicon Omega Portable Recording SystemJun 1, 2005, By David Weiss Lexicon seems like an unlikely candidate to throw its hat into the large ring of relatively inexpensive, computer-centric recording systems currently... Field Test: Eventide H8000 Multichannel Effects SystemJun 1, 2005, By Michael Cooper Eventide's new flagship multi-effects processor, the H8000, resembles its Orville processor on steroids, employing more powerful DSPs that also run at... Field Test: BLUE Microphones Robbie the Mic PreampJun 1, 2005, By Barry Rudolph Looking like a prop out of the 1956 sci-fi movie Forbidden Planet, Robbie the Mic Preamp is BLUE Microphones' first outboard recording product. Robbie... Field Test: New Audio Spatial One Studio MonitorsJun 1, 2005, By Michael Cooper One of the first things I learned as a neophyte engineer back in the early '80s was that near-field monitors should always be placed so that their tweeters... Field Test: Sony Oxford Restoration Tools Plug-InsMay 1, 2005, By K.K. Proffitt With its Oxford EQ and Reverb, Sony Oxford has established a reputation for excellence in plug-in design in a very short amount of time. So it's no surprise...
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