Field Test: GML Model 2032 Preamp/EQMay 1, 2005, By Kevin Becka Some two centuries ago, German author and philosopher Goethe said, Excellence is rarely found, more rarely valued. It's clear that his quote needs an... Field Test: Nautilus Commander Analog Summing BoxMay 1, 2005, By Erik Zobler Which is better? Mixing inside or outside the box? If you haven't had this discussion, then either you have your head in the mix, don't get out much or... Field Test: Lipinski L-505 Passive MonitorsMay 1, 2005, By Joe Hannigan My new year got off to a great start when FedEx dropped off a pair of Lipinski L-505 speakers for evaluation, polywrapped in their own foam-padded, zippered... Field Test: Audio-Technica AT2020 Condenser MicrophoneMay 1, 2005, By Nick Batzdorf The AT2020 is Audio-Technica's entry-level, side-address studio condenser mic. It brings the company's build quality and consistency into the same street... Mackie Onyx 1640 Field Test-Mix reviews the Mackie Onyx 1640 Analog MixerApr 1, 2005, By Joe Hannigan Mackie's VLZ mixer set the standard in desktop consoles for a generation of studio engineers and live musicians. In 2004, Mackie introduced a new generation... Field Test: Apogee Rosetta 200 Stereo ConverterApr 1, 2005, By Barry Rudolph The Rosetta 200 ($1,995), Apogee's successor to the PSX-100 and Rosetta's AD namesake, is an investment-grade quality piece of studio equipment that will... Field Test: Tascam GigaStudio 3 SamplerApr 1, 2005, By Nick Batzdorf When it came out a few years ago, Tascam's GigaStudio (originally called GigaSampler) revolutionized sampling and, arguably, commercial composition by... Field Test: Sony Oxford Reverb Plug-InApr 1, 2005, By Barry Rudolph Sony's Oxford division has come out with a reverb plug-in that offers some of the things you'd expect from a 'verb with some excellent new additions....
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