Field Test: GML Model 2032 Preamp/EQ

May 1, 2005, By Kevin Becka

Some two centuries ago, German author and philosopher Goethe said, Excellence is rarely found, more rarely valued. It's clear that his quote needs an...

Field Test: Nautilus Commander Analog Summing Box

May 1, 2005, By Erik Zobler

Which is better? Mixing inside or outside the box? If you haven't had this discussion, then either you have your head in the mix, don't get out much or...

Field Test: Lipinski L-505 Passive Monitors

May 1, 2005, By Joe Hannigan

My new year got off to a great start when FedEx dropped off a pair of Lipinski L-505 speakers for evaluation, polywrapped in their own foam-padded, zippered...

Field Test: Audio-Technica AT2020 Condenser Microphone

May 1, 2005, By Nick Batzdorf

The AT2020 is Audio-Technica's entry-level, side-address studio condenser mic. It brings the company's build quality and consistency into the same street...

Mackie Onyx 1640 Field Test-Mix reviews the Mackie Onyx 1640 Analog Mixer

Apr 1, 2005, By Joe Hannigan

Mackie's VLZ mixer set the standard in desktop consoles for a generation of studio engineers and live musicians. In 2004, Mackie introduced a new generation...

Field Test: Apogee Rosetta 200 Stereo Converter

Apr 1, 2005, By Barry Rudolph

The Rosetta 200 ($1,995), Apogee's successor to the PSX-100 and Rosetta's AD namesake, is an investment-grade quality piece of studio equipment that will...

Field Test: Tascam GigaStudio 3 Sampler

Apr 1, 2005, By Nick Batzdorf

When it came out a few years ago, Tascam's GigaStudio (originally called GigaSampler) revolutionized sampling and, arguably, commercial composition by...

Field Test: Sony Oxford Reverb Plug-In

Apr 1, 2005, By Barry Rudolph

Sony's Oxford division has come out with a reverb plug-in that offers some of the things you'd expect from a 'verb with some excellent new additions....

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