Field Test: CEDAR Audio Cambridge Restoration System

Mar 1, 2005, By K. K. Proffitt

My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of...

Field Test: SPL GainStation 1 Mic Preamp

Mar 1, 2005, By Michael Cooper

To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other...

Field Test: MBHO MBP 604 N Microphone

Mar 1, 2005, By Steve La Cerra

MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers...

Mackie HDR24/96 and MDR24/96

Mar 1, 2005, By Mike Rivers

It's hard to believe, but Mackie's HDR24/96 hard disk recorder/editor has been with us for more than four years; the bargain-priced MDR24/96 (same guts...

Native Instruments B4 Organ Software

Feb 1, 2005, By George Petersen

During the past couple of years, Native Instruments' B4 has become popular in studios and touring rigs everywhere and with good reason. Essentially, B4...

Field Test: Mackie Digital X Bus Console

Feb 1, 2005, By Barry Rudolph

Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production...

Field Test: Aphex Systems 1100MkII Mic Preamp

Feb 1, 2005, By BARRY RUDOLPH

Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality...

Field Test: Ableton Live 4 Audio/MIDI Sequencer

Feb 1, 2005, By Nick Batzdorf

Ableton Live is billed as a sequencing instrument a great description of this popular Mac/Windows program. Live is a specialized digital audio and now...

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