Field Test: Nautilus NEMO DMC-8 Monitor ControllerOct 1, 2004, By Erik Zobler Mastering engineer John Vestman is often asked, How do I make my mixes sound better? The answer could easily fill a book, but Vestman's initial reply... Snapshot Product ReviewsOct 1, 2004 RANDALL RM4 AND RT2/50 Guitar Tube Preamp/Amplifier Getting a great guitar sound is all about tone, and the amp is a major part of that. We've seen all... MOTU Digital Performer 4Oct 1, 2004, By John McJunkin Digital Performer 4 from MOTU is one of the most robust DAWs available, featuring formidable audio capabilities coupled with a devastatingly powerful... Field Test: Genelec 8050A Reference MonitorsOct 1, 2004, By Kevin Becka Genelec Messes With Success! was the headline I envisioned when I heard that the Finnish company was attempting a major redo of its ubiquitous studio... Field Test: MOTU MachFive Software SamplerOct 1, 2004, By Michael Cooper Until recently, Native Instruments' Kontakt, Apple/Logic's EXS-24 and Tascam's GigaStudio have arguably led the market for software-based samplers. Now,... Field Test: M-Audio Octane Mic Preamp, A/D ConverterSep 1, 2004, By Nick Batzdorf The world is full of sound cards and other digital Lightpipe-capable devices waiting to be unlocked to the analog realm. M-Audio has answered that need... Field Test: Royer Labs SF-24 Stereo Ribbon MicSep 1, 2004, By Kevin Becka What's better than a stereo ribbon microphone? In the case of the new Royer SF-24, the answer is a stereo ribbon microphone with plenty of output gain... Field Test: Chandler Ltd./Abbey Road Passive TG ChannelSep 1, 2004, By Barry Rudolph The Chandler and Abbey Road crews have created another collectable classic, the Passive TG Channel. The single-rackspace unit contains a mic preamp and...
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