Field Test: Oram GMS Al Schmitt Pro-Channel

Jan 1, 2004, By Michael Cooper

When British pro audio manufacturer Oram set out to build the GMS (Grand Master Series) Al Schmitt Pro-Channel compressor/EQ/preamps, mass-market appeal was not at the top of its list of design criteria....

Field Test: MOTU Digital Performer 4

Jan 1, 2004, By John McJunkin

Mark of the Unicorn's Digital Performer is based on a very robust and full-featured MIDI sequencer that has become much more sophisticated during the years, letting users record, play and manipulate MIDI data in numerous and tremendously creative ways....

Field Test: Universal Audio Model 2192

Jan 1, 2004, By K. K. Proffitt

Universal Audio's Model 2192 Master Digital Audio Interface combines feature-rich design with impeccable audio quality....

Field Test: Event Electronics ASP8 Studio Precision Monitors

Jan 1, 2004, By Erik Hawkins

Event Electronics made a big splash years ago when it introduced the 20/20 Series of powered, direct-field monitors, which brought the price of bi-amplified, powered monitor technology to a level practically everybody could afford....

Field Test: Geoffrey Daking MicPreEQ

Jan 1, 2004, By Kevin Becka

In the early 1990s, when Geoffrey Daking heard that many engineers were growing increasingly dissatisfied with newer audio gear, he decided to find out why....

Field Test: Lake Technology Contour

Jan 1, 2004, By Bob Hodas

In 1997, representatives from Clair Brothers, along with a team of heavy-hitters in the digital world, joined forces to design the Clair iO, which ushered in the next generation of digital processors....

Field Test: Peavey Kosmos Pro

Dec 1, 2003, By Barry Rudolph

Kosmos Pro is an expanded version of Peavey's original Kosmos subharmonic enhancement system....

Field Test: Apogee Electronics Big Ben Master Clock

Dec 1, 2003, By Michael Cooper

Apogee Electronics' Big Ben is a revolutionary master digital clock that does much more than preclude clicks and pops from tainting your audio tracks....

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