Field Test: Mackie HR626Sep 1, 2003, By Daniel Keller Let's face it, monitor reviews are tough. Trying to describe with words how something sounds is like the old tale about the four blind men and the elephant:... Field Test: Alesis ProActive 5.1Sep 1, 2003, By George Petersen At Winter NAMM this year, after giving Alesis' ProActive 5.1 system a quick listen on the noisy show floor, I thought this 450-watt, THX-certified surround system was “nice,”... BSS FDS-366 OmniDrive Compact PlusAug 1, 2003, By Mark Frink I carry my Technomad ProRack to every one-off. It contains three key pieces of audio gear that I don't feel comfortable without: The Midas XL-42 (reviewed in Mix, March '02) is a piece of the rock — a chip off of the old block — that gives me the same great mic pre and EQ found on an XL4 console; the new TC Electronic Reverb 4000 (reviewed in this issue, see page 104), which replaces my trusty old M5000; and the BSS FDS-366 OmniDrive Compact Plus.... TC Electronic Reverb 4000Aug 1, 2003, By Barry Rudolph Producers and recording engineers recognize that only a handful of digital reverbs are worthy of the title “main reverb.” These are all great-sounding units that can adapt to any source, from strings and vocals to hard-sounding drums and percussion.... Chandler Limited LTD-1Aug 1, 2003, By Barry Rudolph The Chandler Limited LTD-1 is so close to the original 1073 Neve module that it's almost scary.... Schoeps CMC 6 xt Mic BodyAug 1, 2003, By Kevin Becka The new CMC 6 xt mic body from Schoeps is the latest update to the Colette modular mic system.... Native Instruments VokatorAug 1, 2003, By John McJunkin Virtual Vocoder/Processor/Synth/Sampler Today, improved technology has resulted in much more powerful vocoders than their disco/new wave-era counterparts ever hoped to be.... Eventide ClockWorks Legacy Plug-InsJul 1, 2003, BY KEVIN BECKA It would be hard to find anyone who's worked in and around pro studios during the past 30 years who hasn't used an Eventide product....
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