Ableton Live 1.5

Sep 1, 2002, BY LAURA PALLANCK

Ableton really did its homework when it came out with its loop sequencer Live. The program was designed as a real-time performance tool to play samples,...

M-Audio SP-5B

Sep 1, 2002, BY CANDACE HORGAN

There was a time when, even in recent memory, someone who was shopping for a good pair of bi-amplified studio monitors needed more than $1,000 to get...

Shure ULX Wireless System

Sep 1, 2002, BY MARK FRINK

Long before Shure entered the wireless market, concert engineers specified cordless mics with SM58 or SM87 capsules. Since introducing its own UHF system...

Cakewalk Sonar 2.0

Sep 1, 2002, BY DAVE HILL JR.

In case you missed it, the battle over software supremacy just got a little hotter. Both Emagic and Steinberg have upped the ante in releasing bold new...

Universal Audio 2108

Sep 1, 2002, BY BARRY RUDOLPH

The whole look, feel, vibe and sound of the Universal Audio 2108 Dual Mic/Instrument Preamplifier say to me. Maybe it's the black-anodized front, no-nonsense...

Snapshot Product Reviews

Aug 1, 2002

CAD M9 Cardioid Tube Microphone When everybody in the audio biz goes one way, CAD always comes up with something different. This time, that something...

Schoeps DSP-4P

Aug 1, 2002, BY TY FORD

The Schoeps DSP-4P ($3,850) is described by the company as a digital microphone processor for the PolarFlex system. What does the PolarFlex system do,...

SPL Kultube

Aug 1, 2002, BY BARRY RUDOLPH

New equipment from Sound Performance Lab is always worth checking out, as the company always offers unique approaches to complex audio processing with...

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Mix Regional

The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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