Mackie MDR24/96Oct 1, 2001, BY GEORGE PETERSEN Disk-based digital multitracks keep becoming more affordable. No strangers to building low-cost/high-performance gear, Mackie now breaks the oxide ceiling... Lexicon 960LOct 1, 2001, BY GEORGE PETERSEN The best thing about software-based effects systems is that they're, wellsoftware-based. By updating software via a new disk, data cart or the occasional... Sony DRE-S777/PACOct 1, 2001, BY JIMMY DOUGLASS There's something very different about this one. A first glance at the classic lines of the Sony DRE-S777's cherry wood veneer front panel which looks... SADE LIVEOct 1, 2001, BY STEVE JENNINGS With her Lover's Rock CD already RIAA-certified Platinum, Sade set out on her first U.S. tour in almost eight years. Mix caught the Shoreline Amphitheater... KS ADM 2Oct 1, 2001, BY MICHAEL COOPER Speaker manufacturers have endeavored for decades to create a reference monitor that could reproduce complex, broadband audio without imposing a sonic... Lexicon 480LOct 1, 2001, BY K. K. PROFFITT For more than a decade, the Lexicon 480L digital effects system has retained its status as a standard workhorse in the industry, and with continual hardware... Soundelux ELUX 251Oct 1, 2001, BY BARRY RUDOLPH Most people would rank the multipatterned Telefunken ELA M251E/250E as one of the three most sought-after tube condenser microphones, alongside the Neumann... SADiE ArtemisSep 1, 2001, BY PETE LEONI Given the ever-expanding choice of editing platforms available, why choose a particular product? In SADiE's case, the answer could be depth. SADiE software,...
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