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Tascam SX-1

	
Jun  1, 2001, 
	BY GEORGE PETERSEN
	
	

	
	
Two weeks ago, at AES Amsterdam, Tascam unveiled the SX-1, a single-box unit designed for pro and project studios, broadcast and film/video post-production....

	





	
Field Test: Shure PSM400

	
May  1, 2001, 
	By Mark Frink
	
	

	
	
After the first week of rehearsal for last year's k.d. lang tour, the background singers decided that they would be better off with in-ear monitors (IEMs)....

	





	
Mark of the Unicorn 1296

	
May  1, 2001, 
	ROB SHROCK
	
	

	
	
I've worked with Mark of the Unicorn devices for quite a while now. Back in 1999, I reviewed MOTU's original and wildly successful 2408 audio interface...

	





	
iZ RADAR 24

	
May  1, 2001, 
	PETE LEONI
	
	

	
	
Like it or not, we are fast approaching the time when linear tape-based machines will be a thing of the past. In 1992, RADAR (distributed by Otari) was...

	





	
Sonic Foundry Sound Forge

	
May  1, 2001, 
	BOB BUONTEMPO
	
	

	
	
Beyond cleaning up old vinyl recordings and forensic audio chores, Sonic Foundry's Sound Forge 2-track editing system (with its DirectX Noise Reduction...

	





	
HHB CDR830 BurnIt

	
Apr  1, 2001, 
	CANDACE HORGAN
	
	

	
	
Just five years ago, CD burners were too expensive for the smaller studio. But today, with the advent of computer-based CD-R drives, nearly everyone seems...

	





	
Metric Halo SpectraFoo Complete

	
Apr  1, 2001, 
	MICHAEL COOPER
	
	

	
	
Metric Halo's SpectraFoo Complete adds a Transfer function, signal generator, 24-bit Audio Capture function and three sample code metering tools (a bit...

	





	
Field Test: Beyerdynamic Opus 69 and 81

	
Apr  1, 2001, 
	By Robert Hanson
	
	

	
	
Beyerdynamic's latest performance mics are the Opus 69 and the Opus 81. The $299 69 is a supercardioid dynamic intended for live sound applications, ranging...

	






            
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