Lindell Audio 17X Compressor and Limiter Review

Dec 1, 2011 9:00 AM, By Kevin Becka

BEEFY, FET GAIN CONTROLLER WITH PERSONALITY PLUS

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The 17X also shined when used on a snare drum recorded with a Shure SM57 on top and one on the bottom. I strapped the 17X across the insert of the top mic channel on an SSL 4000 Series console and set the ratio at the lowest setting (4:1). I was looking for that FET pop on the snare drum, which the 17X did very well. I was able to fine tune the FET’s effect on the signal by playing with the attack and release until I got it where the compressor wasn’t pumping, but was consistently grabbing the signal without being that apparent. In a later session, I used the 17X on the snare bottom mic, allowing me to bring the snap of the snare into the blend while leaving the snare-top signal fairly dark and prominent in the midrange. In this application, I kicked in the 80Hz HPF, which de-accentuated the kick drum in the signal, and I also played with the sidechain HPF so that the low frequency produced below the snare wouldn’t effect the operation of the detector circuit.

Next, I heard the Lindell 17X used on a guitar track. I smashed the signal at 100:1 (you’ve just got to go there for fun), but it was not right for this application. However, it did work well on a later mix. In this case, I backed the ratio down to 12:1, crushing the signal more than I needed but it still sounded great. This is where the onboard mix control comes in handy. I balanced the direct vs. compressed signal (which was perfect), bringing that certain something that a compressed signal does to the blend without being overpowering.

The Mix feature is one of the best things about the 17X. I often mix using parallel compression both inside and outside the DAW, where I mix signals “into” a compressor rather than using it in a serial fashion. This requires sending your signal from a channel via a send to an auxiliary input where you have the compressor patched across the channel. Having all of this inside the 17X makes it a lot easier to just patch the unit across your signal’s insert and then control the blend from the unit.

I next used the 17X on a hand-percussion track recorded with a Voodoo Electronics VR1 passive ribbon mic. The 17X was perfect for this application as it tamed the transient peaks but still let the track sound open yet consistent, especially when I used the Mix control to blend in the uncompressed signal. With the mix set about 60:40 compressed to uncompressed signal, this was perfect for keeping the track up in the mix without annoying peaks.

DOES SHE GO?
Aside from missing the ability to couple two units during use, then loving the brilliant design, I had other mixed feelings about the physical box. For instance, the first unit I got for review was dead. After a quick swap, I received a second unit and quickly noticed that there was something loose inside. After popping the lid, I saw the toroidal power supply transformer was moving around and was missing its lockdown screw, which wasn’t floating in the box, forgotten in production. Also, the unit’s plastic covers for the end of the five-way switches easily came off during use; a little Loctite would go a long way to remedy this. Lastly, the gain-reduction setting on the meter acted as I’d expect, but the input/output was down almost -10 dB from what I was sending into the unit when tested with my Audio Precision APx525 audio analyzer.

Although these gripes seem substantial, they are outweighed by the sound and fun factor when using 17X. The unit has its own personality and is a blast to take from 0 to 60 just to see what you get. I absolutely flattened some guitar tracks at 100:1 just for fun and ended up using it in parallel in the mix. You can also play with the sidechain HPF to get additional sonic loveliness and versatility. Add in the Mix control, sidechain filter, HPF and LPF, and you’ve got a compressor that’s the tops—as long as you can get past some assembly quirks.



Kevin Becka is Mix’s technical editor and is in the process of building his own mix studio.

Click on the Product Summary box above to view the Lindell 17X product page.

Click on the Product Summary box above to view the Lindell 17X product page.

Lindell 17X Demo Video






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