Build Your Rig

Mar 1, 2011 9:00 AM, By Kevin Becka

TWO SETUPS TO FIT YOUR BUDGET

Polls


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One of the best things about being an audio pro is shopping for gear. This is especially true in 2011 when the options are plentiful, prices are reasonable and the quality is high. We came up with the ultimate audio computer rig in two price categories: $10,000 and $25,000. We are taking for granted you already have a computer, so we’re just concentrating on the DAWs, plug-ins and hardware needed to get audio in and out of the box. Prices are mostly street value and offered with a range of options so you can build your own virtual dream rig to custom-fit your budget, workflow and must-have features. So get out your calculator and enjoy concocting your ultimate audio playstation.

$10,000 DREAM RIG
In this price category, although you have to be careful with your money, there are some solid options that bring pro features within the range of the tighter studio budget.

Avid Pro Tools is just one of the many DAWs on the market to satisfy the $10,000-budget rig.

Avid Pro Tools is just one of the many DAWs on the market to satisfy the $10,000-budget rig.

There are a lot of freshly upgraded and affordable DAWs in the $10,000 price range including the new Cakewalk SONAR X1 Producer Edition ($399, reviewed here), Apple Logic Studio ($499), Steinberg’s Cubase 6 ($599) just released at NAMM, Avid Pro Tools 9 ($599) and EM 2011 Editor’s Choice–winning MOTU Digital Performer 7.2 ($795). All of the above sport a wide range of features found in more expensive DAWs while offering unique toolsets aimed at performers, composers, mixers and remixers. For instance, Logic Studio offers not only the Logic Pro 9 DAW, but also MainStage 2, Soundtrack Pro 3 and the Waveburner, Impulse Response and Compressor utilities, putting it high on the bang-for-the-buck list. MOTU’s Digital Performer won its EM accolades for solid performance, workflow upgrades, custom design features and its range of included instruments, plug-in processors, deft MIDI editing and film-scoring features. The field is broad here, and doing your homework may get you a DAW that fits your needs all-in-one rather than having to own a few to get the job done.

Plug-ins are always a consideration no matter your DAW of choice and it’s important not to clog up the resident computer’s DSP. For this reason, I’ve chosen some affordable OB plug-in accelerators. The FireWire-based Duende MINI ($1,799) studio pack from SSL includes a 16 to 32-channel upgrade, plus the Bus Compressor, Drumstrip, Vocalstrip, X-EQ and X-Comp plug-ins. The new UAD-2 Satellite DUO Flexi ($1,199) from Universal Audio, also a FireWire box, comes bundled with the LA-2A and 1176LN compressor/limiters, and the Pultec EQP-1A EQ plug-ins, plus a $500 voucher to buy more UAD plug-ins from a sizable list that should fit anyone’s processing needs. If you have the heart of a gambler, you could go with the discontinued but now-heavily discounted Waves APA 32 or APA 44 audio processing accelerator from Waves. I found an APA 32 for $99 at Guitar Center (formerly $800) that runs six IR-1 reverbs or nine linear-phase equalizers or 12 C4 multiband parametric processors at 44.1 kHz. The APA 44 is discounted to $1,350, boasting 30-percent more plug-in power than its little brother. Keep in mind, these boxes are no longer supported by Waves beyond Version 5.9 so you could never upgrade, but for $99, this is a bargain-hunter’s dream. I’m throwing another $1,000 into this basket for other plug-ins I could purchase from a range of companies like McDSP, Waves, SoundToys, Nugen Audio, Sonnox and more.

The FireWire-based Mackie Onyx 1640i was chosen for both its sonic capabilities and feature set.

The FireWire-based Mackie Onyx 1640i was chosen for both its sonic capabilities and feature set.

The API 500-6B provides six slots and an internal power supply.

The API 500-6B provides six slots and an internal power supply.

There are a lot of affordable preamp/converter options on the market, allowing me to get into my DAW cleanly and in style. To best optimize the remaining dollars, I think it’s important to have a rack of at least eight solid, affordable preamps, then purchase at least two channels of boutique signal path for vocals and other A-list overdubs that will sit high in the mix. For my front end, the win in the value category goes to the FireWire-based Mackie Onyx 1640i, both for its sonic capabilities and feature set. It offers 16 phantom-powered preamps, a full mixer with EQ, six sends, four stereo returns, talkback, grouping and more—all for $1,499. If you don’t need all that firepower, you could save some money and go with a simpler 8-channel FireWire preamp like the MOTU 8pre ($599), M-Audio ProFire 2626 ($699) or the Lightpipe-only PreSonus DigiMAX D8 ($399) or Focusrite OctoPre MKII ($499). For boutique I/O options, there’s no beating a 500 Series rack for versatility and future upgrades. It all starts with the empty rack to hold our modules. The API 500-6B ($425) gives me six slots and an internal power supply. Or, I could go with the Radial Engineering Workhorse 5000 ($1,399) that holds eight modules and includes an integrated summing mixer. As for modules, the world is my oyster: There are many companies making 500 Series–compatible units. They’re generally priced between $250 and $800, with some companies offering D.I.Y. bargains below that. Look at Five Fish Studios and DIY Audio and diyrecordingequipment.com for some great projects and options.

At $10k, it’s about the picking and choosing. But just because your dollars are limited, it doesn’t mean you can’t have a great-sounding rig. By starting with the choices above and doing some careful homework with your personal workflow in mind, you can find the best combination of gear within your budget to get the best sound possible.






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