FixIt
Sep 1, 2003 12:00 PM
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On Demand Webcast:
Optimizing Speaker Performance
in Your Studio
GC Pro brings you this webcast hosted by veteran acoustic consultant Bob Hodas, who has tuned thousands of studios around the world, from Abbey Road to the Record Plant to Lucasfilm. Learn more...
Nashville Stories
Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.
Remix Hotel News
 |
Thank You, New York! |
Remix Hotel rocked New York again, and you can get all the goodsÑeveryting from Junior Sanchez, Just Blaze and Pete Rock to Jazzy Jay and Grandmaster CazÑat Remixhotel.com Videos, photos, interviews and more coming soon!.
This Month in Mix
As the FOH mixer for acts such as Bon Jovi, Enrique Iglesias, John Mellencamp and Sheryl Crow, Dave Eisenhauer knows about dealing with noise levels created by cheering fans. We caught up with him as he was setting up the mix position on the 50-yard line at Giants stadium for the last two dates of Bon Jovi's Bounce tour.
“Many venues — particularly sheds and open-air shows — can sound reasonable if you keep the volume down. Many younger FOH engineers mix too loud, trying to blow the place down. I like to mix at about 102 dBA, leaving plenty of headroom. So what do you do when the screaming fans put the level at 110 dBA — even in-between songs? One thing to do in such cases is to bump the level of the first song way up and then bring it down, which gives the audience an impact up front, and then gives them a chance to settle down. Another thing is to keep the bass in perspective, with a balanced ratio of lows/mids/highs. I try to tune the P.A. so it sounds like Genelecs in a studio, and a lot of the newer venues can actually sound good if you keep volumes reasonable and work with — rather than against — the room.”
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 