FixIt
Dec 1, 2003 12:00 PM
Hottest New Video
Most Popular
advertisement
Polls
On Demand Webcast:
Optimizing Speaker Performance
in Your Studio
GC Pro brings you this webcast hosted by veteran acoustic consultant Bob Hodas, who has tuned thousands of studios around the world, from Abbey Road to the Record Plant to Lucasfilm. Learn more...
Nashville Stories
Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.
Remix Hotel News
 |
Thank You, New York! |
Remix Hotel rocked New York again, and you can get all the goodsÑeveryting from Junior Sanchez, Just Blaze and Pete Rock to Jazzy Jay and Grandmaster CazÑat Remixhotel.com Videos, photos, interviews and more coming soon!.
This Month in Mix
Robert Scovill
Six-time TEC Award-winner Robert Scovill has done thousands of shows and recordings for acts such Def Leppard, Rush, Matchbox 20, Jackson Browne and Tom Petty & The Heartbreakers. Visit his record label at www.backstage-records.com and recording studio at www.musicanvas.com.
“Here's a useful tip for FOH or monitor engineers (especially with in-ear mixes), as well as broadcasters. Take your trusty noise gate (switched to ducking mode) and insert it in-line with the audience mics you're sending to the performer's in-ears or blending with your nightly 2-track recording or broadcast. Now, set up a mix that's primarily the band and use an aux bus to send it to the unit's key input. Set the gate's key source to ‘external’ and make sure it's set to ‘duck,’ not gate. You may have to ‘exercise’ the switch; it's probably never been used! Use medium to slow attack and release time and set the range to about 6 to 9 dB. This results in an extra pair of ‘hands’ that drops the audience level 6 to 9 dB in your in-ear mix (or recording) by decreasing the level only when the band's playing and raising it when the band stops. It's no different than you would do manually while mixing, but the speed and depth of the moves are automatically dictated by the attack, release and depth controls.”
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 