Installation Profile: Minnesota Orchestra

Mar 1, 2008 12:00 PM


Education Guide

Mix is gearing up to present its longstanding annual Audio Education Guide in its November 2014 issue. Want to have your school listed in the directory, or do you need to update your current directory listing? Add an image, program description, or a logo to your listing! Get your school in the Mix Education Guide 2014.

The Minnesota Orchestra (Minneapolis) has taken in a Cadac 24-channel S-Type compact live production console as part of a major sound system upgrade for its Orchestral Hall. The venue hosts a 98-member ensemble, which performs for annual programs that include live concerts, broadcasts and recordings. In addition to the board, head of sound Terry Tilley (above left), who has been with the orchestra for 30 years, spec'd 64 additional mic lines, Lab.Gruppen fp2600/3400 amps and a Yamaha PM5D submixer for road show projects.

The hall's acoustics were designed by Cyril Harris. More than 100 large cubes form a “falling rock” pattern on the auditorium ceiling to deflect sound throughout. The wood floor and stage allow for better sound vibration, and the angle of the balconies offers optimal sound reflection. The venue comprises two buildings: a rectangular-shaped auditorium and a glass-and-steel supporting structure (lobby and admin offices) that is separated from the auditorium by a 1-inch gap to free the hall from any outside sound.

“I wanted a really good-sounding desk, capable of handling the eclectic mix of recording and broadcast projects we get involved with — anything from classical reinforcement to light jazz,” Tilley says. “Earlier this year, our director and the musicians put in a pretty loud request for some new equipment. Management said yes, and I was allowed to go shopping.

“We need a very fine and controllable sound, along with a very precise EQ for the wonderful acoustic we have in the hall,” he continues. “With the S-Type, everyone is very happy with what we can now achieve, including the broadcast guys! Given that I have a pretty good collection here, that is saying something!”

Tilley and his assistant handled the install, despite the lack of any cable pulls in the 1970s building, while continuing to work through a daily schedule that involves some four shows in rotation at any time.

Acceptable Use Policy
blog comments powered by Disqus

Mix Books

Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95



Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. Click here to read the latest edition; sign up here.

MixLine Live

Delivered straight to your inbox every other week, MixLine Live takes you on the road with today's hottest tours, new sound reinforcement professional products, recent installs, industry news and much more. Click here to read the latest edition; sign up here.

[an error occurred while processing this directive]

The Wire, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the The Wire for the latest press postings.