The Battle for Bandwidth

Oct 1, 2008 12:00 PM, By Steve La Cerra



Education Guide

Mix is gearing up to present its longstanding annual Audio Education Guide in its November 2014 issue. Want to have your school listed in the directory, or do you need to update your current directory listing? Add an image, program description, or a logo to your listing! Get your school in the Mix Education Guide 2014.

On August 11 and 12, FCC engineers attended test sessions at the Majestic Theater in New York City for prototype white-space devices submitted to the FCC for approval by electronics manufacturers Philips and I2R. (RF devices require FCC approval to be sold in the U.S.) Again, the devices failed. “The two devices had opposite problems,” reveals Brunner. “The Philips unit detected everything and the I2R detected nothing. By ‘everything,’ I mean that its interface showed no vacant spectrum. Discerning a microphone when you believe all channels are occupied is a moot point. The I2R device, on the other hand, simply failed to detect any of the wireless microphones, even from the tenth row of the theater.

“It was a real eye-opener for FCC engineers to see the level of RF activity, and it validates what we have been saying throughout the entire proceeding: It would be a mistake to create technical rules regarding white-space devices without understanding exactly what is happening in the operating environment,” Brunner adds.

Where Do We Go From Here?

The results of the FCC trials will be compiled and reported to the U.S. House of Representatives and the Senate, but as Ciaudelli points out, “This does not guarantee that the politicians will make an objective decision. The FCC engineers are being very thorough and scientific about their approach, and they will make recommendations, but they do not legislate. We do hope that the politicians evaluate the data in the same impartial manner that the FCC engineers gathered it rather than be swayed by lobbying dollars. There is a lot of money at stake, and companies like Google, Microsoft, Intel and Dell have significantly more lobbying resources than the pro audio industry.”

Users of pro audio wireless systems are already facing the fact that they may have wireless gear operating on frequencies between 698 and 806 MHz — those channels that were auctioned. “Lectrosonics has gone into a ‘special-order’ status for products operating in the 700MHz band,” notes Winkler. “After the end of this year, we will no longer manufacture products for the U.S. market in that band. To compensate for that loss of bandwidth, we added three frequency blocks at the bottom end of the UHF band in the range from 470 to 538 MHz. We also added a block high above this range at 944 MHz, so if you were running a lot of wireless microphones and needed to squeeze in two more IFB channels, that would be a place to do it.”

According to Brunner, “Shure has been working with our major accounts to help transition inventory away from wireless systems in the 698 to 806MHz band. Exactly what rules will be in place post-DTV transition — which is when this spectrum is available for use by the new parties — has yet to be determined and will be discussed at the August 22 Commissioner's meeting at the FCC. Hopefully, we'll get some clarity from that meeting, but it is clear to all wireless manufacturers that this is no longer a usable spectrum.”

Ciaudelli agrees: “The inability to use the 700MHz band definitely makes our lives a little more complicated. As time goes on, it will be more difficult to predict reliable operation of wireless microphones in the spectrum between 698 and 806 MHz. There is also the possibility that the FCC will change their regulations and restrict use of wireless microphones in that spectrum. Until they make that proposal, I do not want to induce fear in people, but since last year we have been telling our customers who desire to add more wireless channels to their systems [to] opt for channels operating below that range.”

As we spoke with Stoffo, he was at the Pepsi Center in Denver, prepping for the Democratic National Convention. “A third or more of the RF that I am seeing in this building is above 698 MHz, which will be unusable after February 2009. After that time, companies like Motorola and Qualcomm will be firing up high-powered devices in that band, for which they paid billions of dollars. If they experience disrupted service because of your wireless microphones, they could take legal action against you.”

Brunner is optimistic that the FCC will not shut wireless mic users out of the white space below 698 MHz. “It's more a question of whether the FCC will allow this new class of devices to share the same spectrum that we use for our wireless microphones.” Ciaudelli adds: “Our contention is that major news and entertainment events would not be able to provide the same production quality if the spectrum was randomly flooded with interference from these new devices.”

“It appears to me that the FCC is being muscled by large corporations to push through approval of these devices even though they are failing the tests,” Stoffo says. “One telecommunications corporation makes more profit than the entire audio industry combined, and that may influence the decisions unfavorably. If that means you can't enjoy a Broadway musical or a football game, it will change the culture of America. It could also translate into a safety issue. In the case of Cirque du Soleil, I installed most of the backstage communications. What if someone is going to be jumping off a platform 90 feet in the air and that net is not in place? If you cannot communicate that to the person calling the show, someone may get hurt.

“I think that the FCC is going to approve the products, we'll have a couple of catastrophic events and then everyone will realize that the FCC messed up,” Stoffo continues. “The one relief I see in this is that there will be a short period of time [starting from February 17 until the white-space devices are introduced] when my job will actually get easier. A major market has about 15 analog stations representing 90 MHz of spectrum. If they turn off the analog stations without immediately replacing them with white-space devices, I'll certainly be using that space for my wireless equipment. I anticipate that to last about a year until the white-space devices are introduced and then, of course, it is all up in the air.”

Brunner acknowledges an “unyielding desire of broadband technology manufacturers to get their hands on the UHF band. There is a relentless drive to pursue this technology and there has been discussion of alternative approaches. Motorola is talking about ‘geolocation’ as the key to making this work, or possibly deploying beacon transmitters to protect wireless microphones.

“A beacon transmitter communicates frequency information to a portable device and directs it to stay off a particular channel,” Brunner explains. “It would put out a signature that is more easily recognized by the white-space device, perhaps containing data that says ‘545.7 is occupied. Stay off it.’ That sounds wonderful, but the device has to sense the beacon and we still have the same problems: multipath, overshadowing by strong DTV signals. Plus, the beacon itself requires spectrum so it's almost counterproductive. If a portable device knows what city it is in by virtue of geolocation, it could be given access to a data table of what TV channels are on air in that market. That's fine, but what about wireless microphones? Where is that database and who is managing it? Who has access to it? How do you account for every wireless microphone in the U.S. when they are not licensed? You can't. It is a brutal proposition.

“The pro audio industry needs to remain vigilant about the hurdles that must be cleared,” Brunner concludes. “I think that as these technologies continue to prove difficult, it almost forces the issue that we need spectrum dedicated for use of wireless microphones. Aaron Hartman, an RF engineer at Shure, has been the spearhead of this effort for our company, and he breaks it down pretty easily when he says, ‘Good fences make good neighbors.’”

In addition to being Mix's sound reinforcement editor, Steve La Cerra is the front-of-house engineer for Blue Öyster Cult.

Acceptable Use Policy
blog comments powered by Disqus

Mix Books

Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95



Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. Click here to read the latest edition; sign up here.

MixLine Live

Delivered straight to your inbox every other week, MixLine Live takes you on the road with today's hottest tours, new sound reinforcement professional products, recent installs, industry news and much more. Click here to read the latest edition; sign up here.

[an error occurred while processing this directive]

The Wire, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the The Wire for the latest press postings.