Apr 27, 2010,
By Sarah Benzuly
With any new audio system install, the P.A. is key: It should be geared toward the type of entertainment that will be traipsing across the stage. It must offer adequate coverage to deliver the sound all the way to the back wall....
Mar 31, 2010,
Compiled by Sarah Benzuly
U.S. Audio and Lighting opens up a Northern California office as reported by Mix magazine in the April 2010 issue
...
Mar 31, 2010,
Compiled by Sarah Benzuly
Temple Theater Peavey audio installation news article in Mix magazine April 2010 issue ...
Mar 31, 2010,
Compiled by Sarah Benzuly
Read Mix News For the Concert Touring Professional In the April 2010 Issue of Mix
...
Mar 30, 2010,
Compiled by Sarah Benzuly
Above all else, the most critical sound reinforcement tool that we bring with us to every date is Norah’s Neumann vocal microphone. She’s been using some variant of a Neumann microphone or a Neumann capsule with a Sennheiser RF transmitter for almost all of her touring career....
Mar 1, 2010,
Compiled by Sarah Benzuly
Front-of-house engineer Ken Van Druten joins Waves Audio as the company's Live Division's product specialistLoudness Sonorizacao (Brazil) has joined L-Acoustics'...
Mar 1, 2010,
Compiled by Sarah Benzuly
Since the launch of the flagship VENUE D-Show system in 2005, Avid/Digidesign VENUE systems are increasingly being seen at front-of-house and monitor...
Feb 24, 2010,
Compiled by Sarah Benzuly
Having fewer faders was never an issue working with the POP Groups [on a Midas PRO6], which were my main way of mixing. And I set up one group of four V.I.P. channels in Area B so I could have each of the four vocals there all the time, with everyone pre-fader....
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