FixIt: Kevin Glendinning

Aug 1, 2005

You can create happiness for the musicians onstage by using what already exists in your environment. Before deciding where to set stage levels, listen...

Webster Hall Revives Its Live System

Aug 1, 2005

Webster Hall, which has seen its share of live acts Prohibition-era balls, a recording space for RCA Records' artists and numerous rock acts has brought...

Making the Wedgeless Transition

Aug 1, 2005, By Mark Frink

For many touring artists, making the switch to an in-ear monitoring system or in-ears alone rather than relying on wedges can be daunting. Fears such...

All You Need Is In-Ears

Jul 1, 2005, By George Petersen

A quarter-century ago, Marty Garcia had a vision of a different way of stage monitoring, where artists would wear earpieces carrying a personal monitor...

The Fabulous Commodore Ballroom Turns 75

Jul 1, 2005, By Tim Moshansky

There's no mistaking the Commodore vibe. From the neon sign over the tiled entrance, up the winding staircase and into the second-story ballroom in Vancouver,...

FixIt

Jun 1, 2005

Philip Harvey In addition to being front-of-house engineer for the Secret Machines, Philip Harvey recorded the six-week tour using a 24-track Metric Halo...

Venue Acoustics From the Ground-Up

Jun 1, 2005, By Sarah Benzuly

When it comes to acoustically treating a new live performance venue, selecting the correct P.A. is of prime importance. However, the P.A. does not work...

Tour Profile: Motley Crue

May 1, 2005, By Sarah Benzuly

Only Motley Crue could pull something off like this for more than two hours without a support act and playing just about every night: deafening pyrotechnic...

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Mix Regional

The Mix Regional section for Mix's May 2014 issue focuses on Nashville. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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