Understanding Phase

Oct 1, 2001, By Bob McCarthy

I can see sound. I can look at a speaker array and see the waves coming out of it as clear as the ripples on a pond. I can look at the walls of a room...

LAVALIER MICS: PLACEMENT TIPS

Oct 1, 2001, Gary Stocker

Originally, lavalier mics were buried in the chest area and painted to match the costumes, where possible. Now, lavaliers are mostly mounted on the head,...

HITTING THE ROAD

Sep 1, 2001

Rocket in My Pocket Road Tour (September 4-14, 2001) Sponsored by Fits & Starts Productions, LLC, and Apple computers, this first in a series of five...

The Sounds of Summer

Sep 1, 2001, By David John Farinella

You are not sitting on your couch. You are at the ballpark. That was a bat crack, a slide into second base, an outfielder crashing into the wall that...

ON THE STAGE OFF THE STAGE

Aug 1, 2001, By Mark Frink

SHARING THE BACKLINE The difference between festivals and festivals is that for the latter, backline equipment is shared by a number of acts. When the...

LCS CueConsole Fits Into the World of “Seussical”

Apr 1, 2001, PAUL VERNA

When Jonathan Deans started sketching the sound design for Seussical, the new Broadway musical based on the works of children's artist Dr. Seuss, his...

Setting Up the Mix House

Apr 1, 2001, JOHN KLETT

Mike Shipley and I were walking around the AES show in L.A. last September, trying to work out some scheduling issues for something, and he mentioned...

Sequencing for the Stage

Jan 1, 2001, ROBERT HANSON

DAWS...THE NEW GUITAR? Music has forever changed, and we've all seen it coming. Computer-manipulated sound has become a ubiquitous component in music...

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The Mix Regional section for Mix's July 2014 issue focuses on Atlanta. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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