The Bowery Ballroom

Oct 1, 2013 9:00 AM, By Matt Gallagher


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photo of Chelsea Wolfe

Chelsea Wolfe ignited the Bowery Ballroom in September 2013

The Bowery uses EAW KF650z three-way, full range speakers, with a center cluster of KF695z’s to cover the 25-foot gap between main L/R speakers. “The system was designed by the late Matthew Kasha, with help from Jim Falconer and EAW,” Lienhardt says. “[It was] expertly done by a studio stalwart right down to the TT patchbay that connects our 15 comps, 10 gates and effects units. The [FOH] console is a Midas Heritage 3000, which replaced a Clair Bros. modified Yamaha PM3000 that served us well for 12 years. This rig will sound great with digital consoles as well, mostly due to the full range boxes and the fact that they are up in the corners of the room where they couple and create power.

"When the band gets loud, the room gets loud, not just the P.A.." Lienhardt continues. "The amazing EQ on the Midas means I very rarely employ the house graphic EQ. It's just completely 'studio like' in there, with even a minimum of bodies. It must be mentioned that no soundcheck ends without the band saying to the monitor guy, 'Sounds great up here!'"

photo of Dylan Fujioka

Chelsea Wolfe's drummer, Dylan Fujioka

Bowery Ballroom's monitor rig comprises EAW SM260iV 2-way full range floor monitors, EAW Z29i's and EAW SM500iV 2-way full range floor monitor with an 18-inch subwoofer for drums, all powered by Crown Macro-Tech Series amplifiers through a Soundcraft Spirit Monitor 2 analog mixer. "[It's a] very good passive rig, and I changed the original board for the same model after 10 years," Lienhardt adds, "a great uncolored console that gives plenty of clean output.

"Of course, the hanging of the entire rig is the reason for the great sight lines," Lienhardt says. "It's also up high and aimed down at the crowd. The rig is 'bi-level,' with a set of [EAW] 650s and three 695s hitting the full room and balcony area, and three 650s across the bottom set that covers the floor, L/C/R. The center box is pulled back to cover the first three rows in front, as well. Graphic EQs from Klark Teknik provide separate level/EQ control over three zones: main L/R, triple cluster on top, and a single 650 for the front row. Coverage is Job One! The high balcony and 25-foot wide stage in a 35-foot wide room guarantee even coverage and great sight lines. The full range boxes in the corners move the air, like a home stereo, and make everyone feel like they are in row 1 at MSG! The headroom gives us the possibility of uniform coverage."

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