All Access: Bruno Mars and Janelle Monae

Jul 1, 2011 9:00 AM, Photos and Text By Steve Jennings

Polls


Mix Regional

The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.

Skyrocketing to the top of the charts, co-headliners Bruno Mars and Janelle Monae’s brought their crowd-pleasing blend of old-school R&B and hip-hop with their “Hooligans in Wonderland” tour. Mix caught up with the crew when they stopped by San Francisco’s Bill Graham Civic Auditorium in early June.

Bruno Mars’ FOH engineer, Derek Brener

Bruno Mars’ FOH engineer, Derek Brener

Bruno Mars’ FOH engineer, Derek Brener, is mixing on a DiGiCo SD8, citing its dynamic EQs as a plus. “Bruno’s performance is incredibly dynamic,” he says. “Having control over very specific frequencies and their bandwidth on multiple instruments allows me to get loud without being abrasive, and quiet without being thin. I can de-ess, de-bite and de-mud the vocals, horns and guitars in a heartbeat.” Onboard plug-ins include C4 compressors on guitars and Waves Re-Verb on vocals; outboard gear comprises Distressors for vocals and bass, and a D2 for delay.

Bruno Mars sings through a Shure UHR handheld with a Telefunken M80 capsule.

Reggie Griffith, Janelle Monae FOH engineer, mans an SD8 and a Yamaha 5D. “The SD8 with dynamic EQ in various configurations is made to handle shows with multiple playback channels with live performers.” Onboard, his secret is out: C4 insert on vocals. “I must mention our production manager, Joel Foreman. This production with all the diverse venues does not work without Joel’s hand at the helm. Challenges from day to day are handled with aplomb and a sense of gracious camaraderie.”

Monae monitor engineer Alex MacLeod is on an SD8, using a Waves C4 inserted on her vocal. “It really helps me take the edge off her voice,” he says. All processing is done internally on the SD8 and Waves bundle. Monae has a combination of Ultimate Ears UE11s on Sennheiser IEM300 G3 units and two Clair SRM wedges and sidefills. “The whole experience on this tour has been awesome—from the Clair crew to the challenge of never having used this console before, and having to dial in a 14-piece band wearing 14 stereo in-ear mixes on 52 input channels.”

Monae sings either through a Sennheiser MD 5235 wireless or a hard-wired MD 431. “Both sound really good,” explains MacLeod.

Mars monitor engineer Mike Graham is also on an SD8, using numerous Waves plug-ins: C4 multiband comp to round out some spots on Mars’ vocal; Trueverbs for BGVs and drums; and an S1 stereo imager on Mars’ ear mix. A Lexicon PCM96 vocal verb is the only outboard piece. The entire band is on Future Sonics MG6 in-ears; Mars uses a combination of ears (UE11s), wedges (two pairs of Clair SRMs) and sidefills (Clair R4s over Prism subs). “Bruno is a true talent and The Hooligans are some seriously gifted musicians. That coupled with the fact that they are all genuinely nice guys makes my job a lot easier.”






Acceptable Use Policy
blog comments powered by Disqus

Mix Books

Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95

Newsletters

MixLine

Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. Click here to read the latest edition; sign up here.

MixLine Live

Delivered straight to your inbox every other week, MixLine Live takes you on the road with today's hottest tours, new sound reinforcement professional products, recent installs, industry news and much more. Click here to read the latest edition; sign up here.

[an error occurred while processing this directive]

The Wire, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the The Wire for the latest press postings.