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Modest Mouse

Apr 1, 2005 12:00 PM, Text and Photos by Steve Jennings

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Free Live Webcast:

Understanding Bass Management
With Bob Hodas, November 20th

Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.

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Mastering Stories

Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.


Remix Hotel News

Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008

Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .


This Month in Mix

Modest Mouse played to a sold-out house at the Berkeley Community Theater (Berkeley, Calif.) in early February. Mix spoke with front-of-house engineer Chris Chandler — who has mixed the band since 2003 — about their current tour. Thomas Wright (monitor engineer/stage manager) and backline techs Trevor Keen and Derek Linaman are also on-hand for this jaunt.

According to Chandler, “Things can change when you're not carrying full production. [At the Berkeley show, Sound on Stage provided the P.A. and Yamaha FOH mixing console.] On this tour, I'm using Shure Beta 57As on Isaac [Brock, vocalist/guitarist] and Dann [Gallucci, guitarist/keys] and Shure SM58s on Tom [Peloso, upright bass/fiddle] and Jeremy [Green, drummer]. For Isaac's second vocal, we use a Shure 104C for that ‘telephone’ sound.”

FOH engineer Chris Chandler
photos: Steve Jennings

Chandler's outboard rack includes Mercury M76m mic pre's (with a dbx 160 and 6-band EQ inserted) for Brock's vocal, and a Discrete Plus stereo pre for Peloso's vocal and bass. Bass also has a dbx 160 and 6-band EQ on it. Chandler inserts a Ridge Farms/The Boiler compressor into a stereo bus on drums for the “compressed drum sound from the album.” Also in the rack are Drawmer DS404 quad gates and a DL 441 quad comp, and a TC Electronic M2000. Drums are miked with Shure Beta 91, Beta 52, SM57s, 98s, SM81 and a pair of KSM 137s. Percussion is treated with an SM57, Beta 57A, 98s and SM81s. Guitars are miked with Sennheiser MD409s or 421s.



Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95