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On the Road: Santana

Sep 1, 2005 12:00 PM

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Optimizing Speaker Performance
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GC Pro brings you this webcast hosted by veteran acoustic consultant Bob Hodas, who has tuned thousands of studios around the world, from Abbey Road to the Record Plant to Lucasfilm. Learn more...


Nashville Stories

Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.


Remix Hotel News

Thank You, New York!

Remix Hotel rocked New York again, and you can get all the goodsÑeveryting from Junior Sanchez, Just Blaze and Pete Rock to Jazzy Jay and Grandmaster CazÑat Remixhotel.com Videos, photos, interviews and more coming soon!.


This Month in Mix

photo: Steve Jennings

Carlos Santana is currently finishing up his touring year promoting his new release, All That I Am. Out with Santana are FOH engineer Robert Mailman from Sound Image (Escondido, Calif.), monitor engineer Brian Montgomery, system engineer Satoshi (Son) Nishimura and audio techs Robert McCrillis and Nathan Klaeser. Mix caught up with Mailman between tour dates.

Are you carrying production?
I am carrying a P.A. provided by Sound Image and two Midas XL4 consoles, a Meyer CP10, 52 JBL VerTec 4889 speaker enclosures, 20 JBL VerTec 4880 subs and QSC PL 9.0 and PL 6.0 amps. We're also using eight BSS 366 processors and eight VariCurve EQs to drive the system. Monitors is carrying a Yamaha PM1D, Shure PSM700 and HW600 in-ears, Sound Image 1×12 wedges and 16 Crown IT8000 amps.

photo: Steve Jennings

What are some must-have items?
A good systems engineer that I trust to install and make the proper adjustments to my P.A. system. That person currently is Satoshi (Son) Nishimura. I can't do the show without him. The second is a console that I am really comfortable with.

What's your mixing philosophy?
I try and use the least amount of the best-quality equipment I can. As far as the mix goes, I listen to what the artist has to say and integrate their needs with what I feel I need to do.

What are your favorite venues?
My favorites are usually because they sound good and not necessarily because they are easy to work in. Red Rocks [Colorado] comes to mind. I love the place, but it is a real pain to get in and out of. The Gorge in Washington, Pine Knob in Michigan, Xcel Energy in St. Paul, The Target Center [Minn.], The Greek in L.A., Irvine Meadows [Orange County, Calif.] and Chastain Park in Atlanta are all favorites.



Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95

Sound for Picture Video: WALL-E