Tour Profile: SealFeb 1, 2004, By Heather Johnson Save for a red light emanating from his wireless mic and the white glow of a Macintosh's Apple logo, Seal and band seemed nearly invisible as they stepped onto the dark stage at the sold-out Warfield Theater in San Francisco.... InterpolJan 1, 2004, By Steve Jennings New York City-based Interpol will remind most post-punk junkies of Joy Division or The Chameleons.... Tour Profile: PrimusJan 1, 2004, By Candace Horgan For the neophyte at a Primus show, the chant struck up by the band's diehard fans seems disconcerting: “Primus sucks! Primus sucks!” “It just keeps happening and won't go away,” front-of-house engineer Derek Featherstone says with a laugh, from The Fillmore in Denver “The chant dates back to the band's early days.” ...Tour Profile: Lucinda WilliamsJan 1, 2004, By Christopher Walsh “That should be the porch up there,” says Nathan Harlow, front-of-house engineer for Lucinda Williams, gesturing toward the stage of New York's Beacon Theatre, barren but for a drum kit, amps and mic stands. ...Tour Profile: Simon & GarfunkelJan 1, 2004, By George Petersen Despite the hoopla surrounding the biggest reunion tour of the year, I figured this gig couldn't be too tough — just a couple of folksingers, right?... Tour Profile: Red Hot Chili PeppersJan 1, 2004, By Robert Hanson In any successful band's career, there is the subtle yet unmistakable point where the bombast of youth gives itself over to the confident bravado that comes with experience.... All Access: GodsmackJan 1, 2004, By Steve Jennings Mix caught up with Godsmack at the Sacramento Memorial Auditorium when they came through Northern California last fall. The crowd greeted the band with tremendous enthusiasm, and Godsmack responded by turning in a boisterous set of hard-hitting, in-your-face music. The band has been on the road playing theaters, arenas, sheds and festivals - ironically, including the European leg of Summer Sanitarium.... Tour Profile: Good CharlotteJan 1, 2004, By Gregory A. DeTogne Part of a new breed of tuneful pop punksters on today's music scene, spikey-haired, tattooed and pierced Good Charlotte manages to address the prime topic of the genre — alienation felt by outsiders — but with a somewhat sunny and positive approach that sends 10- to 14-year-old girls into paroxysms of hysteria....
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