L-Acoustics Stays Up Late
Nov 5, 2006 6:44 PM
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Understanding Bass Management
With Bob Hodas, November 20th
Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.
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Mastering Stories
Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.
Remix Hotel News
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Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008 |
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
This Month in Mix
The Late Late Show With Craig Ferguson recently completed a total renovation of its set at CBS Television City in Los Angeles. The good news for musical guests visiting Studio 58 is that there is now a larger performance area and an improved monitor system, which benefits from a dozen new L-Acoustics 112XT and two 115XT stage wedges, all powered by the manufacturer’s LA Series amplifiers.
From left: Chris Maddalone, production mixer Otto Svobota and monitor mixer Aaron Lepley
“I’m definitely liking these monitors,” says the show's P.A./monitor mixer Chris Maddalone, who has also mixed for The Price Is Right and American Idol, as well as recorded and toured with numerous rock acts. “I’ve gone through just about every box you can think of and these are right up at the top of the list, which makes sense seeing that I’ve used V-DOSC and dV-DOSC a bunch of times and loved them.”
Maddalone notes that the XT Series monitors sound particularly nice when doubled up in front of a lead singer. “There’s a nice coupling boost that takes place, and it’s completely free of the phasing issues than can commonly plague a monitor setup. The dispersion of the horn on the high-frequency driver is perfect.
“Plus, they get nice and loud,” he adds. “Even though this is a television studio, we still have bands that really crank the volume when they play in here and not one of them has complained about not being able to hear themselves, which was a problem with our old wedges. Now even the hardest rock and punk acts that come through are all smiles.”
For more information, visit www.l-acoustics.com.
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 