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DEPECHE MODE

Jan 1, 2002 12:00 PM, BY ROBERT HANSON

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Recording Instruments:
Integrating Real Sounds
October 29th

Brought to you by Ex'pression College for Digital Arts and Remix
If you're a producer of hip-hop, electronic or other types of music and want tips on incorporating recorded acoustic instruments into mostly-electronic productions don't miss this webcast.
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Nashville Stories

Nashville is no doubt one of the hottest recording markets in the country, but we want to know how it got to be that way. Send your favorite account of recording in Nashville to mixeditorial@mixonline.com, and we´ll post it on the Mix Nashville Web Portal.


Remix Hotel News

Remix Hotel Atlanta 2008: Sept. 18-20

he Remix Hotel juggernaut is heading back to SAE Atlanta„with Partners Rane, Serato, Pioneer, Roland, iStandard and others„for another technology-filled weekend of classes, panels and guest appearances. And this year, All Access registration gets you FREE entrance to the Atlantis Music Conference and Festival! That means double the panels, performances and more. Register today!.


This Month in Mix

Depeche Mode took to the road last summer, playing sold-out sheds and arenas around the world in support of Exciter, their 13th full-length release. Mix caught up with the tour in Northern California, where shows in Sacramento, Concord and Mountain View were all sell-outs.

The set list favored material from the band's most recent studio efforts, plus a few notable classics, including the title track from the '86 release Black Celebration, “I Feel You,” and, of course, “Enjoy the Silence.”

During tour pre-production at Santa Barbara Sound Design in Southern California, the band decided on how many components of the original studio recording were needed for playback tracks and created an elaborate synth and sample library. During soundcheck at the Shoreline Amphitheater, band and crew were working up a truncated version of the current single, “I Feel Loved,” for an appearance on The Tonight Show. Engineer Andrew Phillpott managed playback and editing of pre-recorded tracks from a pair of iZ RADAR 24s (a main and spare rig aptly named “Master” and “Servant”) and a rackmounted Pro Tools system. Once an edit was approved, Phillpott burned a CD-R for each bandmember and saved the mix that was eventually flown into the RADAR rig.



Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95