New Order
Jun 1, 2005 12:00 PM, Text and Photos by Steve Jennings
Most Popular
advertisement
Polls
TalkBack
Mix goes in-depth into the world of mastering. Tell us how mastering has helped your projects in the past. E-mail us at mixeditorial@mixonline.com.
This Month in Mix
Mix caught New Order in late April at Oakland, Calif.'s Henry J. Kaiser Convention Center, where they co-headlined with the Chemical Brothers. Athough the band is on a short tour leg, their show was packed with an enthusiastic crowd, with many attendees dancing in the aisles.
“I have been mixing New Order since 1993, and they're a great bunch of guys” says front-of-house mixer Dian Barton. “We're not carrying production so I am at the mercy of the vendors, but I usually get what I need. I'm using a Midas XL4 tonight. Midas boards are the cleanest sonically and can handle more level before distorting than other consoles. I find them easy to use because they are well set out with acurate metering and have LEDs for most functions, which is very important at festivals.”
At the Oakland show, they used an L-Acoustics rig, with eight V-DOSC per side, six dV-DOSC under-hung, nine SB218 subs, four Power Physics 422 three-ways on bleacher fills and four ARC for front-fills. A look inside Barton's rack reveals five Drawmer DS201 gates, four BSS 402s and 901, three Yamaha SPX-990s and a Summit DCL 200, a Lexicon 480XL and a TC Electronic D2. Bernard Sumner (vocal/guitars, above) is using a Shure Beta 58 mic and PSM700 in-ears with EC3 earphones.
Acceptable Use Policy blog comments powered by Disqus
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95






Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more.
AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound