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Jul 1, 2003 12:00 PM

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Mix goes in-depth into the world of mastering. Tell us how mastering has helped your projects in the past. E-mail us at mixeditorial@mixonline.com.


This Month in Mix

“Aida” on Broadway


Sound company:

Masque Sound
Sound designer: Steve Canyon Kennedy
Associate sound designer: John H. Shivers
FOH engineer/console: Phil Lojo/Cadac J-Type
Assistant engineer: Alain VanAchte
Loudspeakers/amps: EAW speakers/Crest amps
Key outboard gear: XTA EQ, XTA DP-200 and Valvotronic compressor
Selected mics: Sennheiser MKE-2 Platinum and SK-50 wireless

Alan Jackson


Sound company:

Showco
FOH engineer/console: Phil Somers/Crest-Gamble EX56
Monitor engineer/console: Scott “Punko”Holloway/ATI Paragon II
P.A./amps: Prism Arena Speaker System/Crown amps
Monitors: Prism SRM Stage Reference Monitors
Key outboard gear: TC M5000; Yamaha SPX900; Apogee CRQ-12; dbx 160A, 165; Summit DCL-200
Selected mics: Shure Beta 58A (all vocals), Beta 57s, SM98; Sennheiser 409; Audio-Technica 4050

Blue Man Group


Sound company:

Audio Analysts
FOH engineer/console: Matt Koenig/Yamaha PM1D
Monitor engineer/console: Mike Prowda/Yamaha PM1D
Loudspeakers/amps: JBL Vertec Line Array/Crown Amps
Monitors: Shure PSM 700 and 600 in-ears.
Key outboard: Eventide DSP4000 Ultra-Harmonizer, Lexicon PCM90, Roland SDE-3000 delay, MXR Flanger
Selected mics: Shure KSM32, SM98; Audix D4, OM7; Beyer M88s




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