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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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Jan 1, 2005 12:00 PM

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Digital Edition

TOM WAITS
Sound Company: Rat Sound

FOH Engineer/Console: Deanne Franklin/Midas H3000

Monitor Engineer/Console: Derek Van Ord/InnovaSon Grand Live

P.A./Amps: L-Acoustics V-DOSC, dV-DOSC; Rat sub/Crown VZ5000, 3600, 2400

Monitors: Rat MicroWedge 12, sidefills and drumfills; Sennheiser 300 IEMG2

Outboard Gear: Focusrite Red-3; Drawmer DS201; BSS Audio DPR-404, DPR-901; Lexicon PCM60; TC Electronic 2290; Yamaha SPX-990; XTA DP226, DP224

Microphones: Shure, Audix and Sennheiser

Additional Crew: Lee Vaught, system tech; Stuart Ross, tour manager; Daniel Choi, production manager

HOOBASTANK
Sound Company: Clair Bros.

FOH Engineer/Console: Brendon Brown (also tour manager)/Midas Heritage 3000

Monitor Engineer/Console: “We do not have a monitor engineer,” Brown says. “We use a Crest XRM rackmounted console for all of the in-ear mixes and the guys mix themselves.”

P.A./Amps: racks and stacks rented locally

Microphones: Audio-Technica 5000 Series Wireless System with AEW-T300 capsule (vocals), ATM63HE (top and bottom snare), AE2500 (kick), AE5100 (hi-hat, ride), AE3000 (rack toms), AT4050 (overheads, guitar amps), AT4047/SV (bass)

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Modern Recording and Mixing

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