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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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Apr 1, 2005 12:00 PM

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Digital Edition

MERCY ME

Sound Company: Spectrum Sound (Nashville)

FOH Engineer/Console: Garry Brown/96-channel Yamaha PM1D

Monitor Engineer/Console: Bobby Georger/96-channel Yamaha PM1D

P.A./Amps: d&b C4 system with C3s long throw and B2 subs/d&b P1200, D12

Monitors: V-DOSC SB218s, Sennheiser EW300 IEMs, PWS helically polarized antennas

Outboard Gear: TC Electronic Finalizer, M-Ones; Meyer Sound CP10; PreSonus Eurekas; Lake Contour with PC tablet

Microphones: Shure Beta 52/91/98/86, SM57, KSM32, SM7B, KSM137, UA wireless system with B86 capsule; AKG C414; Audio-Technica 4031, 4050; Sennheiser MD421, SKM5000N with KK105 capsule

ASSEMBLY OF DUST

FOH Engineer/Console: Jack Trifiro (also production manager)/venue-supplied, usually Crest or Midas with minimum of 32-input channels with eight VCA submasters

Monitor Engineer/Console: Josh Cohen (also backline tech)/venue-supplied, usually Crest or Midas with split from FOH snake

P.A.: venue-provided, usually McCauley, Adamson, EAW or Meyer

Monitors: Sennheiser EW 300 IEMs with Shure E5 earbuds

Outboard Gear: Klark-Teknik or Ashly EQs; Drawmer or dbx comp/limiters; TC Electronic, Lexicon or Yamaha reverb; TC Electronic, Roland or Korg delay; Eventide or Avalon compression

Microphones: Audix D6; Shure SM91, SM98A, SM57, Beta 56; Oktava MK012; CAD e100; Sennheiser 409/609, 835; AKG 414

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